Museum Conservation and the Forensis of Provenance
Presented on Monday, Mar 31, 2025, Paul Basu, professor of anthropology and curator, Pitt Rivers Museum at the University of Oxford, draws upon various case studies to rethink provenance research, shifting our attention from the forensic investigation into the origins and chains of ownership of objects to a relational process, which brings together a community of stakeholders and perspectives. The word “forensic” derives from the Latin forensis, meaning, of the forum. On the one hand, this shift decenters museum-based expertise; on the other hand, however, it opens up possibilities for contemporary conservation practice to contribute in new ways to ethical reflection, not least in destabilizing our understanding of what an object is, where it comes from, and fostering communities of care. The lecture is followed by a panel discussion with Erica Jones, Senior Curator of African Arts and Manager of Curatorial Affairs at the Fowler Museum at UCLA, and Glenn Wharton, Professor of Art History and Conservation of Material Culture, Chair of the UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage. The panel discussion was moderated by GCI archaeologist and archaeological conservator Dr. Ana Pastor Perez. This presentation contributes to the ongoing discourse on the perception of collections, the evolving role of museums and museum professionals, and challenges conventional approaches to collections care—principles that guide the work of the Collections Department. For more information visit the Collections Department page: https://gty.art/gci-collections

Conserving the Salk Institute for Biological Studies

Textile Conservation at The Met

KOSMOS-Lesung by Prof. Dr. Richard Balme: The State in the Anthropocene

The Unfolding Story of the Hittite Empire and its Collapse - Dr Christoph Bachhuber

Panel 2: Cultural Objects as a Target: Who Is Responsible and How Can It Be Protected? II

From Waste to Resource Conference - Beneath Our Feet: Exploring the Value of Soil

We took the back off a Michelangelo and it took 7 months | Saving Michelangelo’s Epifania Cartoon

Microscopically reweaving a 1907 painting | CONSERVATION STORIES

What do tech pioneers think about the AI revolution? - The Engineers, BBC World Service

Acoustic Emission Monitoring in Cultural Heritage Applications

Prof. Mahmood Mamdani on decolonisation: Lessons from postcolonial Uganda

1177 BC: The vanishing of the first globalized world | Eric Cline: Full Interview

Before He Died, The World’s Top Sumerian Scholar Revealed What the Tablets Really Say About Us

What is art provenance? A Getty Research Institute case study

RESEARCH 2025 Ruszev, Stockton-Brown, Gee, Davis, Yang
![Microsoft Fabric and Power BI - Developer of the Future⚡ [Full Course]](https://i.ytimg.com/vi/ohKpl80obzU/hqdefault.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLC7OUcS43Tjw7PcWR1n6T-ncrgsdA)
Microsoft Fabric and Power BI - Developer of the Future⚡ [Full Course]

The Treaty of Versailles: 100 Years Later - Margaret MacMillan

Mechanical Analysis of Restoration Protocols Using Digital Image Correlation: Textile and Paintings

Exhibition shines light on forgotten workers behind King Tut tomb discovery

