LA SENSACIONAL HULKA: La pervertida parodia de John Byrne | Kirby Krackle!

BUY YOUR FAVORITE COMICS AT GENERATION X! Link to the website: https://adtr.co/t31CvI SHELL BY JOHN BYRNE: https://adtr.co/zmcznh LOS ANGELES, 1980 When the Comics Code censorship regulations came into effect, the creators of the great superheroes of the mid-1950s found themselves stifled in their ideas. This was demonstrated by the appearance on covers of strange, sudden powers, absurd transformations, the adoption of super pets, and, finally, female versions. Between the late 1950s and mid-1960s, Superman's cousin, Supergirl, and Commissioner Gordon's daughter, Batgirl, earned their place in a wide catalog of magazines that couldn't compete in terms of quality with the revolutionary adventures of Marvel's heroes and heroines. These heroines weren't the equivalent of any other superhero; each had her own distinct identity. Even a character like the Wasp quickly distanced herself from her boyfriend and future husband, Hank Pym, by shrinking herself and making him gigantic. But none of the brave Marvel women, although they occasionally starred in their own stories, owned any solo titles. At least not until the expansion of the House of Ideas in the early 1970s, when Stan Lee and Roy Thomas sought to create a comic for every audience, including, of course, female readers. Black Widow co-starred for a time in Amazing Adventures alongside the Inhumans, while new heroines like Catwoman debuted in new solo magazines. But Marvel became so popular that a point came when they were forced to resort to DC's old tricks and had to introduce certain female versions of the publisher's biggest stars for a very specific reason: copyright. Aside from making Mar-Vell's friend Carol Danvers Ms. Marvel in 1977 to trademark the name, the publisher created Jessica Drew, a Spider-Woman who had little or nothing to do with our friendly neighborhood Spider-Man, so that no one else could claim a potential hit with a female wall-crawler. And, given the popularity the Emerald Giant had gained thanks to the Incredible Hulk television series, Stan Lee opted to introduce a "She-Hulk" before the small-screen creators beat them to it. From that idea was born a Savage She-Hulk who quickly became sensational, especially thanks to John Byrne and his, in a way, perverse parody… | INDEX | 0:00 Born from Stan's Rib 2:20 She-Hulk's Wild Origin 4:54 Jennifer Walters, Sensational Lawyer 7:10 Breaking Molds and Fourth Walls 10:07 "Revealing" Humor as a Weapon Music by Amie Doherty "Kirby Krackle!" created by Dani Arnal and Alex Díaz de Losada. In collaboration with Generación X.