Ripley - Above & Below - Cinematography Breakdown
In this instalment I analyse some of the Top down shots & Extreme Low angle shots in Netflix's Ripley. These shots are peppered throughout the series, and I think more than any other shot they are ones that can be easily replicated without the need for many extra things to make them successful. So to me that sounds like a great excuse to go out and shoot something in this style! Also check out the other breakdowns on this channel!
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Ripley - Frames in Frames - Cinematography Breakdown
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Why Ripley Felt Different
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CHOSEN ONE!! THEY'RE BEGGING HIM TO WARN YOU... BUT HE JUST GRINNED AND SAID "TOO LATE"
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What Movies Lose When They Use "Blender Cutting"
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🔴 Before You Leave, God Wants To Reveal Something That Could Change Your Life Forever Today
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He attacks viewers live and harasses women I Rezo reacts
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80 Scariest Tourist Attractions In The World
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How Cinematographers Set Their Exposure
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The brilliant scam of cinematic "black bars"
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Do we really need 65mm? Large format myth - busted
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Composition in Cinematography / RIPLEY
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Why Hollywood Movies Look So Good
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Ripley Q & A with Andrew Scott, Dakota Fanning, Johnny Flynn, Eliot Sumner, & Steve Zaillian
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How Rocky's Models Were Made for Project Hail Mary
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Master Yourself | Brian Tracy | The Power of Self-Control and Discipline
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The Problem with The Brutalist (As an Architect)
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Vivac de Verano SOLO con material de Decathlon (Serpientes, Escorpiones y Mosquitos)
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How FOCAL LENGTHS Make You a Better Filmmaker
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RIPLEY Netflix Ending Explained
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