Louis Bagger (harpsichord) & ensemble: C.P.E. Bach, Concerto Wq.43, No. 3 & Concerto Wq. 31

Harpsichord not mentioned in the documentation Released (1973?) by Musical Heritage Society Recording MHS 1545 Year of release not mentioned in the documentation Monadnock Music Ensemble: Violins: Robert Bloch, Judith Yanchus, Henry Rubin, Linda Cummiskey, John Dexter and Hanna Tennan Violas: Clyn Dee Barrus and John Tartaglia Cellos: Laura Mclellan and Mary Lane Bass: Marvin Topolsky Flutes: Nancy Jerome and Elinor Preble Horns: William Lane and Bruce Mclellan James Bolle, Conductor Liner notes: Louis S. Bagger Library of Congress Catalog Card No. 73-750422 Thanks to Robert Tifft the webmaster of the European Revival Harpsichordists ( https://jsebestyen.org/harpsichord/ ) for the LP-documentation and cleaned up acoustic material to make this publication possible. Side 1: CONCERTO in E-FLAT MAJOR, Wq. 43, No.3 for Harpsichord, 2 Horns, 2 Flutes, Strings and Continuo 00:00 Allegro 08:12 Larghetto (in liner notes mentioned as Andante) 10:50 Presto Side 2: CONCERTO in C MINOR, Wq. 31 for Harpsichord, Strings and Continuo 15:24 Allegro di molto 26:24 Adagio 32:18 Allegretto This recording originated as part of a unique musical venture which takes place in the Monadnock region of southern New Hampshire. Each year some 40 programs of known, but more often little-known, music for various ensembles are presented free of charge in 18th and 19th century churches and meeting houses throughout the region. Many works, including the concerti recorded here, were edited from manuscript especially for this series. James Bolle, director, studied composition under Darius Milhaud. His repertory is especially wide, and he has, in fact, an aversion to repeating works he " has already done. He is most at home in music of the early Baroque and responsible Avant-garde. Louis Bagger studied with Gustav Leonhardt and Ralph Kirkpatrick, and currently teaches at Brandeis University. He has performed widely in the U.S. and Europe and currently is engaged in extensive research on the keyboard works of C. P. E. Bach and the cantatas of Alessandro Scarlatti. Notes on Mr. Bagger's sources for his edition of these two concertos will be sent on request.