Le GIALLO : une radiographie de l'Italie d'après-guerre | CINÉMA ET POLITIQUE

Urban paranoia, decadent bourgeoisie, sexual revolution, repressed from the fascist era and the Second World War... What do the iconic images of the giallo reveal about post-war Italy ? ❤️ If you enjoyed the video, you can make a donation on Ko-fi, Kiss Kiss Bank Bank or Patreon! https://ko-fi.com/cinemaetpolitique https://www.kisskissbankbank.com/fr/p...   / cinemaetpolitique   🖥️ To receive updates from Cinéma et politique, follow the channel on social medias! Facebook :   / cinemaetpol   Twitter :   / cinemaetpol   Instagram :   / cinemaetpol   👅 English subtitles: Archibald and Elias 00:00 Introduction 01:51 The giallo, a filone 05:39 The changing face of Italy 16:13 The gaze's crisis and counter reading 24:01 Norms in tension 32:40 The repressed from the fascist era 38:53 Conclusion 📚 Sources: Alexia Kannas, Giallo ! Genre, Modernity, and Detection in Italian Horror Cinema, State University of New York Press, 2020, 167 pages. Mikel J. Koven, La Dolce Morte, Vernacular Cinema and the Italian Giallo Film, 2006, Scarecow Press, 195 pages. Alice Laguarda, L’Ultima maniera : le giallo, un cinéma des passions, Rouge profond, 2021, 220 pages. Austin Fisher, « Serial Killing and the Giallo », Blood in the Streets, Histories of Violence in Italian Crime Cinema, Edinburgh University Press, 2019, p. 114-147. Jonathan Dunnage, « Social, Cultural and Economic Transformation in Post-War Italy (1950-80) », Twentieth Century Italy : A Social History, Routledge, 2017, p. 148-190. Tony Judt, « Post-War : 1945-1953 », Postwar : A History of Europe Since 1945, Penguin Press, 2005, 9. p. 13-226. Michael MacKenzie, Gender, Genre and Sociocultural Change in the Giallo : 1970-1975 (thèse), 2013, 255 pages. Mauro Giori, « Pornography of Death », Homosexuality and Italian Cinema, From the Fall of Fascism to the Years of Lead, Palgrave MacMillan, 2017, p. 191-204. Frank Burke, « Dario Argento’s The Bird with the Crystal Plumage : Caging Women’s Rage », dans Killing Women, the Visual Culture of Gender and Violence, Wilfrid Laurier University Press, 2006, p. 197-218. Seb Roberts, « Strange Vices : Transgression and the Production of Difference in the Giallo », Imaginations : Journal of Cross-Cultural Image Studies, vol. 9, no. 1, 2018, p. 115-131. Daniel Sheppard, Giuseppe Previtali, « Queer Bodies and the Death Drive : Gender and Sexuality in Italian Giallo », dans The Routledge Compation to European Cinema, Routledge (dir : Gabor Gergely, Susan Hayward), 2021, Routledge, p. 428-436. Austin Fisher, « Italian Popular Film Genres », dans A Companion to Italian Cinema (dir : Frank Burke), Wiley Blackwell, p. 250-266. Christopher Wagstaff, « A Forkful of Westerns : Industry, Audiences and the Italian Western », dans Popular European Cinema (dir : Richard Dyer, Ginette Vincendeau), Routledge, 1992. Donato Totaro, « A Genealogy of Italian Popular Cinema : the Filone », Offscreen, Volume 15, Issue 11/November 2011, The Italian Filone. URL : https://offscreen.com/view/genealogy_... Luc Boltanski, « Les conditions d’apparition du roman policier. Énigmes et complots dans les métaphysiques politiques du XXè siècle », Communications, 2016/2 (n°99), p.19-32. #Giallo #DarioArgento #MarioBava