Getting the Fear - "Against the Wind" (Official Video)

"Against the Wind", from the long-awaited LP collection from legendary 80's post-punk outfit Getting the Fear: "Death Is Bigger: 1984-1985" -- Preorder here: https://smarturl.it/gettingthefear - Out June 18 Directed & Edited by Jacqueline Castel Motion Graphics: James Stuart Archival Footage provided by: Tony Dickie Still Photos by: Grace Lau and Chris Lovell It's testament to how fertile England's mid-80's musical landscape was that the splintering of short-lived post-punk pioneers Southern Death Cult seeded so many memorable but divergent groups – from widescreen rock legends The Cult to romantic pop duo Into A Circle to “the Asian Public Enemy,” Fun-Da-Mental. But the band's most potent subsequent cross-pollination was undoubtedly Getting The Fear, formed by The SDC's rhythm section of Barry Jepson, David 'Buzz' Burrows, and Aki Haq Nawaz Qureshi, joined by Temple Ov Psychic Youth associate Paul ‘Bee’ Hampshire on vocals. Galvanized by Margaret Thatcher's “iron fist” austerity policies and the cultural liberation of punk, the group blazed to creative fruition, quickly landing a lucrative deal with RCA. But immediately after recording their 1984 debut single, Last Salute, a shake-up at the label left them stranded and without support. Rather than stall in music industry purgatory they chose to dissolve, escaping their restrictive contract. Bee's lyrics on “Last Salute” are fitting final words: “If this must end let it pass me by / I’ll remain your friend, only flowers die.” But this is of course only part of the story. Death Is Bigger: 1984-1985 rectifies history's error, collecting the group's entire vault of demos and unreleased songs alongside liner notes and a photo gallery capturing Getting The Fear in all their high libertine glory. The compilation's 10 tracks are alternately brooding, spiky, and sneering, fixated on dreams, sex, and Charles Manson (the sleeve of Last Salute famously features a detail from Manson's embroidered waistcoat, unbeknownst to label execs). Razor wire guitars slice across tense rhythms, veering between minimal and melodic, occasionally flowering into psychedelic poetry, revealing Bee's deep affinity with Psychic TV. Taken as a whole, the album showcases the breadth of forking paths facing UK post-punk in 1984: pop eating itself, new wave while still new, transgression as alternative not affectation. Getting The Fear's music feels eclectic and unfettered, following whim, lust, and impulse, glinting with darkness against the fires of youth: “The earth is still beneath my feet, I start to sink to lose myself / Friends and lovers stand around unconcerned, their eyes in flames.” LYRICS: The boy stretched his legs, raised his hands to the sky and once again I’m alive. Wasting life like a cigarette, watching it burn until you forget you it was you. Standing in line with a thousand sheep never a cry until it’s time to sleep. Feel that I can be somebody feel I’m growing old then I can I can live again then I can breathe against the wind. Want to take my gun and run into the clouds into the sea, want to feel the waves cleansing me. Want to prove myself to god and god to prove to me.