Re-pitched CARDILLAC 1952 version Richter, Schech, Berry, Kmentt, Sperlbauer - Hindemith - Vienna 57
I am really excited about this unique and historically significant recording which I have thoroughly restored. According to my research it is the ONLY existing recording (conducted by the composer himself) of the unsuccesful 1952 revision of the opera, which was hardly ever performed. Even during Hindemith's lifetime most theatres reverted to the original 1926 version (which lasts around 90 minutes). The 1952 revision, with a duration exceeding 120 minutes, which has entirely different libretto, plot, music and characters, was performed for the last time in 1969 in Leipzig. This longer, clunkier version even contains an "opera in the opera" - scenes from Lully's Phaëton in act 3. Even the most famous aria from the opera "Mag Mondlicht leuchten" is sung to an entirely different text. The cast isn't any less sensational, since it features two 27 year old Viennese newcomers - Walter Berry and Waldemar Kmentt - in the demanding title-, and lead tenor roles. Unfortunately the recording stems from a faulty CD rip, which results in some clicking noises during act 2 - luckily only for one brief minute. The recording had massive pitch inconsistencies, including wow-distortions, which I both painstakingly manually corrected, which took about 12 hours. I am a bit uncertain about the concert pitch of this performance. I know for certain, that the RAVAG / ORF orchestra tuned to a=446 in 1947, 1948, 1960 and 1963. However, there are traces of a 50 Hz hum, which MIGHT be the mains hum, which would indicate a=448, which was the concert pitch which the Vienna State Opera / Philharmonic adopted from November 1955 onwards. Since I have no conclusive eidence for either 446 or 448 I took the solomonic decision to pitch the recording to a=447 Hz, which must be extremely close to the actual concert pitch, one way or the other. CARDILLAC - Neue Fassung von 1952 Oper in 4 Akten von Paul Hindemith. Libretto von Paul Hindemith nach Ferdinand Lion. Cardillac, ein Goldschmied: Walter Berry Seine Tochter: Traute Richter Cardillacs Gehilfe: Waldemar Kmentt Die Primadonna: Marianne Schech Der junge Kavalier: Fritz Sperlbauer Der Offizier: Alois Pernerstorfer In Lullys Oper „Phaëton“ Klymene, eine Nymphe: Sonja Draksler Phaeton, ihr Sohn: Erich Majkut Apollo, der Sonnengott: Karl Heinz Tuttner Der Chor des Österreichischen Rundfunks (Chorleitung: Gottfried Preinfalk) Das Große Wiener Rundfunkorchester Paul Hindemith Wien, Funkhaus, 1957 (Erstsendung: 5. Februar 1957) Radio studio recording, recorded via FM, pitch corrected to a=447 Hz, de-wowed. Suffers from occasional and very slight interference from other radio channels. act 1: 00:00 act 2: 30:04 act 3: 1:08:49 act 4: 1:31:15 4 FLAC files + synopsis: https://1fichier.com/?o93ir4p3nkckq6s...

Re-pitched SIEGFRIED Nilsson, Chookasian, Windgassen, Greindl, Wohlfahrt - Böhm - Bayreuth 28VII65

FIDELIO Beethoven – Vienna State Opera

Deutsche Wochenschau 512 - 26. Juni 1940 - Sieg im Westen? – NS-Propaganda des Frankreichfeldzugs

Verdi: AIDA, Tel Aviv 15.07.1975

Strauss: DER ROSENKAVALIER, Mainz 24.06.1966

Farnborough: The Golden Years 1949-1959

Re-pitched DIE WALKÜRE Nilsson, Rysanek, Boese, King, Adam, Talvela Böhm - Bayreuth 26VII65

Chopin-Inspired Adagio Nocturnes | Piano & Cello for Quiet Nights

Festkonzert 50 Jahre Wiedereröffnung der Wiener Staatsoper ORF3

Happy old age of an elderly couple far from civilization. Apricot season

Wagner: TANNHÄUSER, Leipzig 1954

Re-pitched DAS RHEINGOLD Boese, Chookasian, Adam, Windgassen, Neidlinger - Böhm - Bayreuth 25VII65

Wagner Die Walküre

Re-pitched VERDI REQUIEM Deutekom, Lilova, Mitchinson, Holl - Bertini - Utrecht 2V80

MDR Dok Wagner – Bayreuth und der Rest der Welt 1860920636

Vienna Opera Competition 2025 – Final Round | Mozarthaus Vienna

Der 20. Juli (1955) | FILMKLASSIKER🎥

OTELLO....Verona..1990

Mathe-News! 🚨 Die Jacobi-Vermutung wurde mit einem Tweet widerlegt!

