Progression harmonique VI II V I : dominantes secondaires et substitutions tritoniques

Welcome to this new video dedicated to music theory and tonal harmony! We'll be exploring an iconic harmonic progression in C major: the Anatole, built on the 6th, 2nd, 5th, and 1st degrees. After studying dominant chords, secondary dominants, and tritone substitutions in previous videos, I'll now enrich this progression with advanced techniques that bring tension, color, and surprise to musical writing. This video is for musicians, composers, music students, or anyone curious to deepen their understanding of tonal harmony and enrich their chord progressions. It's part of the Music Theory and Harmony Lessons series, available in a dedicated playlist. I highly recommend watching the videos in order for a smooth learning experience. On the agenda: 00:12 - How to enrich the harmonic progression VI II V I – Definition of the Anatole progression 01:21 - Introduction of secondary dominants (D7, A7…) to create intermediate resolutions 03:18 - Understanding how to read chord charts on the Musiclic website 04:52 - Using tritone substitutions (Db7, Ab7, Eb7…) to vary harmonic colors 06:10 - Summary of possible enrichments with secondary dominants and tritone substitutions 06:35 - How to use these enrichments in your compositions To learn more, visit the Musiclic page and its resources on chords, scales, and harmonic functions. #music theory #harmony #chords #dominant #harmonicprogression #anatole #musictheory #musicalcomposition #musiclic #tritone substitution