Marcel Duchamp (Rrose Selavy) e i primi ready-made: La ruota di bicicletta e lo Scolabottiglie

There are gestures that completely disrupt the mechanisms of the system and radically change it from within. This is the case with the birth of Duchamp's first readymades, with which the artist seemed to renounce his centuries-old identity as a creator of artifacts, to become someone who selects and imbues existing objects with value.