11D - From Academy to Chan: Liang Kai
Watch in HD1080p: • 11D. From Academy to Chan: Liang Kai This last of the four Southern Song Academy masters is shown as providing a bridge between that tradition and the new kind of painting associated with Chan (Zen) Buddhism, which will make up the topic of most of the lecture 12 group. The gap between the way Liang Kai is regarded, and his works collected, in China and in Japan also introduces a large problem that complicates the whole concept of Chan painting: why it was preserved almost entirely in Japan and scarcely at all in China.

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12A - Paintings of the North: The Jin Dynasty

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11C - Ma Lin and Others: The Lyric Journey

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12B - The Beginnings of Chan (Zen) Painting and Muqi

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The Murderer Who Reached Enlightenment

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Lecture 8B: Literati Painters of Northern Song

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Japanese Zen Buddhism and the Impossible Painting

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Introducing a Book of Chinese Master Xu Wei's Paintings and Calligraphy

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How The Dutch Lost Their Empire. And Why The US Is Next

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11B - Great Masters of Southern Song: Xia Gui

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Martin Heidegger in an interview with a Buddhist monk (1963)

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The Pauline and Joseph Degenfelder Lecture 2017: How to Read Chinese Paintings

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Chinese Art at the MFA, 960–1279: Discoveries and Transformations (Song Dynasty)

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Lecture 9A: Li Tang and His Followers

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12B. The Beginnings of Chan (Zen) Painting and Muqi

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Tom Hanks' HILARIOUS Harvard Speech Leaves Audience in Splits: “I Make a Good Living...” | REPLUG

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12D - Sōgenga and Chan Landscapes

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The last of his kind: The plasterer

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Mastering the Art of Chinese Painting: Xie Zhiliu (1910-1997)

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The Art of Dissent in 17th-Century China

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