【神回】エンジニアが変わると楽曲サウンドにどのくらい違いが出るのか?|スペシャルゲスト:吉田 保さん、森元 浩二.さん【DTM】【ミックス】

In this special episode, we welcome two of Japan’s most respected recording engineers, Tamotsu Yoshida and Koji Morimoto from JAREC (Japan Recording Engineers Association). The concept is simple: How much can an audio engineer change the sound of a song? Both engineers independently recorded the same song and then created their own mix. Starting from the mixing stage, each engineer was given a 90-minute time limit to complete their work while we observed their process in real time. This project offers a rare opportunity to compare two professional approaches to recording and mixing. By listening to both versions side by side, you can hear how different decisions, techniques, and philosophies influence the final sound—even when working from the exact same source material. Beyond the final mixes, you'll gain insight into how experienced engineers think, solve problems, and shape a musical vision. ━━━━━━━━━━━━━━━━━━━━ Listen to the full versions of both mixes: Sleepfreaks Website https://sleepfreaks-dtm.com/dtm-mix-t... JAREC (Japan Recording Engineers Association) https://jarec.com/ JAREC Membership Information https://jarec.com/join/ prime sound studio form https://form-studios.com/ ━━━━━━━━━━━━━━━━━━━━ SPECIAL GUESTS Tamotsu Yoshida A legendary Japanese recording engineer whose career spans more than five decades. He has worked with numerous iconic Japanese artists including Eiichi Ohtaki, Tatsuro Yamashita, Mariya Takeuchi, Seiko Matsuda, KinKi Kids, and The Gospellers. He currently serves as President of JAREC. Koji Morimoto Chief Engineer at prime sound studio form. His work includes award-winning productions for major Japanese artists such as Ayumi Hamasaki and Sandaime J Soul Brothers. He currently serves as Vice President of JAREC. ━━━━━━━━━━━━━━━━━━━━ Chapters 00:00 Introduction 00:23 Tamotsu Yoshida Profile 00:59 Koji Morimoto Profile 01:42 Materials Used for Mixing 02:18 Studio Overview 02:47 Koji Morimoto's Workflow 04:42 Koji Morimoto Mixing Session 28:10 Tamotsu Yoshida's Workflow 30:29 Tamotsu Yoshida Mixing Session 52:02 Comparing Both Mixes 52:25 Koji Morimoto Mix Playback 54:20 Tamotsu Yoshida Mix Playback 56:16 Discussion & Impressions 57:32 Project Reflections 59:09 Becoming a Professional Recording Engineer 1:01:45 Audio School vs Studio Experience 1:03:49 About JAREC 1:04:35 Closing Remarks ━━━━━━━━━━━━━━━━━━━━ Subscribe to Sleepfreaks for more content about music production, recording, mixing, mastering, and DTM. #AudioEngineering #Mixing #RecordingEngineer #MusicProduction #DTM #Sleepfreaks

【日本一稼ぐスタジオ】マイケルジャクソンからMay J/伊藤由奈までレコーディングし尽くした男、ニラジ・カジャンチ氏運営NK SOUND TOKYOに潜入!!!
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【日本一稼ぐスタジオ】マイケルジャクソンからMay J/伊藤由奈までレコーディングし尽くした男、ニラジ・カジャンチ氏運営NK SOUND TOKYOに潜入!!!

The Free DAW to Watch, "LUNA 2.0," Arrives | The Ultimate Cover-Song / Second DAW?
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The Free DAW to Watch, "LUNA 2.0," Arrives | The Ultimate Cover-Song / Second DAW?

YMO "Behind The Mask" Performed Live on Moog IIIc by Mr. Matsutake! [English Subtitles]
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YMO "Behind The Mask" Performed Live on Moog IIIc by Mr. Matsutake! [English Subtitles]

Recording Mixing & Mastering with the Pro's - Japanese Hit Songwriter Yusuke Shirato pt. 3 [Eng Sub]
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Recording Mixing & Mastering with the Pro's - Japanese Hit Songwriter Yusuke Shirato pt. 3 [Eng Sub]

グルーコンプは、コンプの効果を実感できる最強の練習法
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グルーコンプは、コンプの効果を実感できる最強の練習法

ドラマーが「ドラム」の技を13段階の難易度で披露 | Levels | WIRED Japan
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ドラマーが「ドラム」の技を13段階の難易度で披露 | Levels | WIRED Japan

[DTM] A Must-Do When Mixing? What Is "Gain Staging"?
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[DTM] A Must-Do When Mixing? What Is "Gain Staging"?

Niraj Kajanchi "Professional Band Recordings Revealed" Part 1
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Niraj Kajanchi "Professional Band Recordings Revealed" Part 1

【異常な的中率】お相手様、最近寝ても覚めてもあなたの事を考えています。
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【異常な的中率】お相手様、最近寝ても覚めてもあなたの事を考えています。

Pro Tips! Bass Programming Techniques [DTM] [Beginner]
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Pro Tips! Bass Programming Techniques [DTM] [Beginner]

This is how professionals mix! The easiest way (volume control, PAN)
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This is how professionals mix! The easiest way (volume control, PAN)

Recreating a Computer Music setup from 35 Years Ago! How is music production different now?
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Recreating a Computer Music setup from 35 Years Ago! How is music production different now?

【致命的】プロになれない作曲法
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【致命的】プロになれない作曲法

ニラジ・カジャンチ「プロのバンド・レコーディング全公開」後編
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ニラジ・カジャンチ「プロのバンド・レコーディング全公開」後編

[Music Theory] What Does "Mixing" Actually Do? – The Secret to Music Production Beyond Songwritin...
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[Music Theory] What Does "Mixing" Actually Do? – The Secret to Music Production Beyond Songwritin...

Japanese Hit Songwriter for "Keyakizaka46" & "JUNNA" - Yusuke Shirato's Song Writing Process
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Japanese Hit Songwriter for "Keyakizaka46" & "JUNNA" - Yusuke Shirato's Song Writing Process

【解説】シティポップ編曲の秘密プロテクニック
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【解説】シティポップ編曲の秘密プロテクニック

[Must-See for Beginners] Build Piano Backing in 10 Steps! [Chord Programming]
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[Must-See for Beginners] Build Piano Backing in 10 Steps! [Chord Programming]

【極秘】プロ作曲家のギター打ち込み術!
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【極秘】プロ作曲家のギター打ち込み術!

Japanese Hit Songwriter Yusuke Shirato PART 2 - "The Arranging Process" [English Subtitles]
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Japanese Hit Songwriter Yusuke Shirato PART 2 - "The Arranging Process" [English Subtitles]