Liszt - Valse de concert sur deux motifs de Lucia et Parisina, S214/3 (Wolfram)
The Valse de Concert (titled ‘Valse à capriccio’ in the earlier version) was published by Liszt as the third of Trois caprices-valses, the others being the revised versions of the Valse mélancolique and the Valse de bravoure, so it is clear that here as elsewhere he did not mind mixing original works with those based on other material. But this waltz really is an original piece, both because of the extraordinary variety which Liszt brings to his treatment of the Lucia waltz (5:34 becomes a gorgeous fantasia on the Lucia theme, weaving through various keys in dreamy reverie) and because of his happy combination of that theme with the Parisina waltz in invertible counterpoint.

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Liszt - Valse de bravoure, S214/1 (France Clidat)

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Liszt - Valses oubliées, S215

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When Grieg met Liszt, then challenged him to sight-read his Piano Concerto

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Are Tchaikovsky's Other Piano Concertos Really That Bad?

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Ravel - La Valse M.72

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Juilliard Pianist Reacts to (and Corrects) Viral Piano Tips

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Liszt - Glanes de Woronince, S249 (Mikulska)

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Fine. Let's Do This.

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THIS Is What Happens When You Attack a US Aircraft Carrier

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Liszt - Grosses Konzertsolo, S176 (Dacic)

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25 Great Pianists attempt the DEVILISH leaps in Liszt’s Mephisto Waltz no. 1 (LIVE only)

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Valentina Lisitsa plays Liszt's Hungarian Rhapsody No. 2

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Liszt - Réminiscences de La juive, S409a (Wong)

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The HARDEST openings in piano history (and why they SUCK to play)

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Liszt: Two Legends, S.175 (Jando, Pierdomenico)

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The Skills That Separate Intermediate and Advanced Pianists | Three Types of Touch Explained

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Liszt - "Spanish Fantasy" S.253

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I Judged 100+ Pianists: 5 Mistakes That Eliminated Them in 30 Seconds
![Liszt: 〈Au bord d'une source〉, Années de Pèlerinage ≪Suisse≫ S. 160 No. 4 [Horowitz 1975/68]](https://i.ytimg.com/vi/RkkqSUkUJDQ/hqdefault.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLCGmBhYDVdAPhOaP7lD2C0Q3XhUEA)
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Liszt: 〈Au bord d'une source〉, Années de Pèlerinage ≪Suisse≫ S. 160 No. 4 [Horowitz 1975/68]

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