Henri Vieuxtemps: Concerto pour violon en sol majeur, No.6, Op.47, Jolente De Maeyer (violin)

Henri Vieuxtemps - Concerto pour violon et orchestre no. 6, op. 47, en sol majeur, Jolente De Maeyer, Orchestre Philharmonique Royal de Liege, Patrick Davin I. Allegro moderato – 0:00 II. Pastorale: Andante con moto – 10:47 III. Intermezzo: Siciliano – 16:47 IV. Rondo Final: Allegretto – 20:42 Henri François Joseph Vieuxtemps (17 February 1820 – 6 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing upon what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship. He received his first violin instruction from his father and a local teacher and gave his first public performance at the age of six, playing a concerto by Pierre Rode. Soon he was giving concerts in various surrounding cities, including Liège and Brussels where he met the violinist Charles Auguste de Bériot, with whom he began studies. A tour of Germany in 1833 brought friendship with Louis Spohr and with Robert Schumann, who compared the boy to Niccolò Paganini. During the following decade he visited various European cities, impressing with his virtuosity not only audiences but also famous musicians such as Hector Berlioz and Paganini himself, whom he encountered at his London debut in 1834. Vieuxtemps had aspirations of becoming a composer as well and, having already taken lessons with the respected Simon Sechter in Vienna, spent the winter of 1835–1836 studying composition with Anton Reicha in Paris. He was particularly admired in Russia where he resided permanently between 1846 and 1851 as a court musician of Tsar Nicholas I and soloist in the Imperial Theatre. He founded the violin school of the Saint Petersburg Conservatory and guided the formation of a "Russian school" of violinists.