¡La intuición les falló! Rechazaron papeles que se volverían leyenda

#thalia #mexico #televisa Do you know what Henry Winkler, Molly Ringwald, Tom Cruce, Matthew McConaughey, and Gwyneth Paltrow have in common? They all regretted passing up a leading role in a film that ended up making others famous (photos 1 to 7, to dress from "when everyone...is immortal"), but if you thought this only happens in Hollywood, well, no. On Mexican television, several celebrities have also turned down high-profile roles that have elevated other actors, only to regret it forever. That's why, today, we present the Top Regretful Actors Who Passed on a Leading Role in a Soap Opera, Only for Their Replacement to Go to Stardom. 1. ANA PATRICIA ROJO AS 'MARÍA JOAQUINA' IN CAROUSEL Facebook: Back in 1982 and 1983, Ana Patricia Rojo was set to play 'María Joaquina' in what was supposed to be the first Mexican version of the children's telenovela 'Carrusel,' which was being prepared by Televisa. It wasn't finally made until 1989 and ended up being played by Ludwika Paleta, who even won a TVyNovelas Award for "Best Child Actress." Facebook: She received the award from her eternal love, Cirilo. But what happened that prevented Ana Patricia Rojo from playing that role? Let's take it one step at a time: Ana Patricia is the daughter of former Miss Peru 1961, Carmela Stein, and the golden age of cinema actor, Gustavo Rojo. Both of her famous parents were on the Televisa staff, so it was hard to imagine their offspring wouldn't follow in their footsteps. In fact, the actress was the last of four siblings and the only one who clearly believed in continuing her artistic legacy. For the role of María Joaquina, a girl with a villainous streak was needed, which Ana Patricia already possessed. If you didn't know, the Mexican actress had already had a career in film since she was 5 years old. However, she would achieve that dark side in the soap opera El Maleficio. Facebook: Thanks to her role as Liliana, a ghost girl, Ana Patricia won a TVyNovelas Award for Best Child Actress. Her acting prowess in the horror genre also led her to star in the film "Veneno para las hadas." This is how she ended up being perfect for the role of María Joaquina (photo 9). She spent a year preparing, but when her mother saw that the "Carrusel" project was delayed, she included her in other films and soap operas. For its part, the production company, unable to find an actress with her characteristics, suspended filming of Carrusel, and it wasn't until 1989 that Ludwika Paleta arrived and was given the green light. The children's soap opera paved the way for stardom for Ludwika Paleta, who from that moment on only landed major roles. In Ana Patricia's case, her career was headed toward becoming the villain of melodramas, but none gave her an iconic role that transcended the mainstream. During the COVID-19 quarantine, many celebrities found themselves having to turn to other sources of employment to generate income to support their families. In Ana Patricia's case, she found a business opportunity in smoothies and shakes, which she isn't ashamed to make public. 2. THALÍA AS PAOLA BRACHO IN "LA USURPADORA" Facebook: In an online interview in 2012, Gabriela Spanic explained that she wasn't the first choice for the iconic telenovela "La Usurpadora," but THALÍA! Yes, that's right, the singer of "Amor a la Mexicana" had three important advantages that made her perfect for this dual role. The first was that she already had a solid career, starting with Timbiriche and the young adult soap opera "Quinceañera." Second, she was the singer of the moment and her popularity was at its peak. Third, thanks to the "Trilogía de las Marías," her versatility in portraying a humble, witty character with communication difficulties, and an educated and refined woman, was evident. These three advantages made her a perfect fit for both Paola Bracho and Paulina Martínez. However, she ended up turning down the role for an unusual reason. Facebook: According to screenwriter Alberto Gómez, Thalía didn't want to be compared to Lucero, who, a few years earlier, had played three roles simultaneously in "Lazos de amor." For this reason, she turned down the project, and it was given to Gabriela Spanic, who was known for Venezuelan soap operas, but not internationally. "La usurpadora" (The Usurper) was her "springboard" to global fame, as the melodrama became a smash hit in 125 countries and was translated into more than 25 languages. Her influence in the roles of Paola Bracho and Paulina even earned her a sculpture in Indonesia, where she was declared the "most influential woman" in the country... Ah! But if you thought Thalía didn't mind her decision, you're wrong.