Custom patches for GS-e7 by synth_nyc (FREE download)

We proudly present these 64 custom patches for the GS-e7 Analog Polyphonic Synthesizer. The patches were made by synth_nyc and are now available to download from our website for free. In the future, they will be incorporated as factory presets. Links: GS Music Website: https://www.gsmusic.com Downloads: https://www.gsmusic.com/news/custom-p... synth_nyc bandcamp: https://synthnyc.bandcamp.com/music A few words from synth_nyc: After designing some custom patches for Black Corporation Japan and GForce Software Ltd, I chose to design patches for the e7 because: 1. It sounds great to my ears and offer a complementary tone to all my hardware and software synth 2. It has memory 3. It has full MIDI implementation of all parameters, so I can remote edit it. In addition; the e7 has some unique features, as far as I can tell, which really make it shine: Stereo output / voice spread with pan modulation 3 LFOs that can modulate pitch, PW, VCF and VCA Very cleverly / musically implemented features such as A/R velocity modulation, envelop KB tracking modulation, LFO rate KB tracking modulation, etc... Not to say that the discrete VCO, VCF and VCA are a winning combo for a true analog tone. Please contact GS Music if you need support. Enjoy! Mini-bio synth_nyc first synth was a DX7 (mk1) in the mid-80s. synth_nyc always enjoyed programming sounds on the machine and it never appeared complex or non-intuitive to him. synth_nyc first analog synth was a MKS-50 (with PG-300) where he discovered that you did not need to spend 4 hours to design a great patch! After that, synth_nyc is grateful to have own classic and unique machines from the late 70s to early 90s like a CS-80, a Waldorf Wave, a PPG Wave 2.3, a MemoryMoog LAMM, Prophet 5 Rev2, Rev 3.3 and Prophet VS, OSCar, OB-X, Synthex, Sunsyn, Jupiter-8, Chroma, Hartmann Neuron and Voyetra Eight (the only vintage synth_nyc still owns) and many more! synth_nyc has learnt and enjoyed programming them all. Today synth_nyc is focussing his time on programming analogue renaissance hardware synths -with memories-; as well as new hybrids and new digitals, but also software synths as emulations, virtual modeling have come a long way; especially in the past year or 2 (so have computers) and are letting us enjoy amazing machines for a reasonable price, so close (or better) to the originals and hassle free.