Mixing Electronic Music on a 1980's Analog Console (SSL 4000E)

Listen to our album "Possession With Intent To Sell," out now on Girlfriend Records! https://open.spotify.com/album/3ADu0D... https://girlfriendrecords.bandcamp.co... My modular synthwave band Dialectixx just recorded an album, and we decided to mix it old-school, on a large-format console, the SSL 4000E at Different Fur Studios in San Francisco. We recorded at home on a multitrack interface, but the main reason we mixed at a studio was that neither of us had very good acoustic spaces or speaker setups in our homes, and we kept getting unsatisfactory results when we tried to mix in-the-box. But to be honest, another good reason is that it's heaps of fun to spend a day in the studio tweaking knobs and patching in exotic rackmount equipment! Different Fur is available for tracking, mixing, and full-service recording/production: https://differentfurstudios.com Because we were able to travel with our tracks on a USB stick, we also mixed some songs across the bay on an even bigger Neve 8048 at Tiny Telephone Recording, and on a similar Neve desk at their neighbor studio Brothers Chinese Recording (formerly New Improved Recording). http://www.tinytelephone.com/ https://www.brotherschineserecording.... Overall I much preferred the SSL workflow and layout, but my bandmate Mike really got into the Neve sound and make a lot of use of those 3-band EQs. Both are great choices, but from what I gather, the conventional wisdom is that if money is no object, you track and record on the Neve for the great transformer preamps and high treble EQ, and then mix on the SSL for the surgical parametric mids EQ and extensive dynamics section. Maybe next time!