AYDA AKSEL KİMDİR? Baba Dizisinin Fazilet Saruhanlı'sı Aslında Kim?

AYDA AKSEL WAS BORN ON OCTOBER 31, 1962. HER INTEREST IN ARTS BEGIN AT A AGE. WITH THE SUPPORT OF HER FAMILY, AKSEL STUDIED IN THE BALLET AND CELLO DEPARTMENTS IN PRIMARY SCHOOL. HOWEVER, AFTER FAILING IN AN A-GRADE, SHE WAS EXPELLED FROM SCHOOL. SHE CONTINUED PRIMARY SCHOOL. SHE WAS A SUCCESSFUL STUDENT. SHE EVEN GRADUATED FROM SCIENCE HIGH SCHOOL. WHEN SHE REACHED UNIVERSITY AGE, SHE WAS ACCEPTED IN THE PSYCHOLOGY DEPARTMENT AT EGE UNIVERSITY. BUT HER MOTHER, REALIZING HER DAUGHTER'S TALENT, TOLD ME ABOUT THEATER EXAMS AND ASKED IF SHE WOULD LIKE TO TRY. AYDA DIDN'T MISS THE OPPORTUNITY AND TOOK THE EXAMS. SHE PASSED THE EXAMS ON HER FIRST TRY. ACTUALLY, SHE NEVER HAD A DREAM OF BEING AN ACTOR. SHE GRADUATED FROM THE THEATER DEPARTMENT OF MIMAR SINAN UNIVERSITY. AKSSEL, WHO ALSO WORKED AS A VOICE ATOR IN COMMERCIALS, WORKED AS A BROTHER AT THE STATE THEATER FOR ABOUT 15 YEARS. LATER, SHE TRANSFERRED TO THE SADRİ ALIŞIK THEATER. HE GAVE LESSONS IN THE DIALOGUE OWNED BY ARSEN GÜRZAP AND CAN GÜRZAP. DURING HIS THEATRE LIFE, HE MET AUDIENCES IN PLAYS SUCH AS THERE WILL BE NO TROY WAR, THE LORD OF ISTANBUL, THE FALL, THE DEAR DOCTOR, OH THOSE YOUNG PEOPLE, THE RHINOCEROS, THE SEED AND THE SOIL, THE FOOL, THE SEVEN WOMEN, THE SECRET SITTING, THE WOMAN IN THE WINDOW opposite, THE GUILTY TO DEATH, AND THE HALF A GLASS OF WATER. THE MASTER ARTIST WAS RECEIVED THE BEST ACTRESS AWARDS AT MANY EVENTS SUCH AS THE 10TH ARIBURNU AWARDS, ANKARA FILM FESTIVAL, AFIFE THEATRE AWARDS, LIONS THEATRE AWARDS, AND THE 16TH SADRI ALIŞIK AWARDS THROUGHOUT HER CAREER. IN ADDITION TO HER THEATRE LIFE, AYDA AKSEL, WHO WAS ALSO WATCHED MANY TIMES ON TELEVISION AND THE SILVER SCREEN, PLAYED THE ROLE OF BELKIS IN THREE ISTANBUL SERIES IN 1983. HE EXPLAINED HOW HE FIRST CARRIED OUT A CAMERA IN AN INTERVIEW HE GAVE TO DEVRM BÜYÜKACAROĞLU FROM EVRENSEL.NET: WHEN I WAS ON THE PATH TO BECOME AN ARTIST, I PLAYED IN THREE ISTANBUL, I WAS AWARE OF ANYTHING AT THE TIME. GANI MÜJDE CAME TO THE CONSERVATORY AND WAS SITTING IN THE CANTEEN HE SAID, "IS THERE ANYONE WHO CAN HELP ME WITH MY DISCIPLINE?" WE GOT UP AND LEFT. THAT WAS THE FIRST TIME I SAW A CAMERA IN MY LIFE, AND FEYZİ TUNA (DIRECTOR) SAW ME FROM THERE, AND WE FILM THREE ISTANBUL. I AM NOT AWARE OF ANYTHING, WHAT A SET IS OR IS NOT. WHEN I FINISHED IT, I HAD THOUGHTS LIKE, "THERE WAS A LITTLE BIT OF ART IN IT, BUT IT WAS NOT THIS, IT SHOULD NOT BE LIKE THIS, WE SHOULD NOT BE SATISFIED WITH THIS." I REALIZED THAT BEING POPULAR IS A VERY DISTURBING THING. THERE ARE PEOPLE POINTING OUT TO YOU ON THE STREETS LIKE MONKEYS. YOU ARE VERY YOUNG, IT IS THE FIRST COLOR SERIES, THE LONGEST SERIES, THE VERY EXPENSIVE SERIES, EVERYONE WATCHES IT... EVEN AFTER GRADUATING; SIMILAR ROLE OFFERS STARTED COMING, SAYING, "YOU PLAYED THESE ROLES VERY WELL," BUT I REJECTED THEM TOO. IT WAS NOT A WORLD I WOULD PREFER. OF COURSE, THERE WERE NEIGHBORS WHO THOUGHT I WAS SPOILED, WHO SAID, "DAUGHTER, YOU'RE AN ACTOR." I AM AN ACTOR, BUT I DID NOT PROMISE I'D PLAY EVERYTHING. I STILL HAVE THE SAME OPINION. I AM AN ACTOR, I TRY TO DO MY JOB WELL. I THINK I'VE ACHIEVED THIS IN THEATER. . BUT SHE HAD HER BIG BREAK IN 1987 WHEN SHE GAVE LIFE TO THE CHARACTER OF LEYLA IN THE SERIES CALLED YAPRAK DÖNEMİ. LATER, SHE PLAYED IN PRODUCTIONS SUCH AS STARS GROW AT NIGHT, A MAN'S ANATOMY, REPUBLIC, DIPLOMA OF MADDENESS, AND KIVILCIM. DIPLOMA OF MADDENESS MADE A LOT OF AUDIO AT THAT TIME. THIS PRODUCTION WAS CALLED AKSELLE IN THE AY, WHICH BROUGHT LIFE TO THE MANIC-DEPRESSIVE. THE ARTIST, WHO TOLD EVRENSEL.NET ABOUT HOW SHE WORKED FOR THE ROLE, SAID THE FOLLOWING: I WAS WITH HER FOR A MONTH, WORKING LIKE A DONKEY. FIRST, TO UNDERSTAND THE DISEASE, I READ BOOKS AND LEARNED FROM PSYCHOLOGISTS. THEN, I MET PATIENTS AT THE HOSPITAL WHERE I WORKED, AND I LIVED WITH THEM. I AM NOW ABLE TO LOOK AT SOMEONE FROM A FAR AWAY AND DISTINGUISH WHETHER THEY ARE SICK OR NOT, WHETHER THEY ARE ON MEDICATION OR NOT, AND AT WHAT STAGE OF THE DISEASE THEY ARE IN. A FRIEND OF MANICULAR DEPRESSIVES SAID, "I DIDN'T KNOW YOU WERE ONE OF US." AKSEL, WHO WAS SEEN IN MORE PROJECTS IN THE 2000s THAN IN THE 80s AND 90s, TOOK ROLES IN PRODUCTIONS SUCH AS "LET HIS NAME BE LOVE," "PEOPLE'S ENEMY," "CAPTURE HEARTS," "REMEMBER LOVER," "EXAM," "A FIST OF SEA," "GÖNÜLÇELEN," "LOVE LOVES COINCIDENCES," "LIA BAHAR," "RICH GIRL, POOR BOY," "MANDIRAFİLOZOFU," "POYRAZ KARAYEL," "HAYAT PÜCĞÜ," "KÖRDÜĞÜM," AND "HERCAİ." NOW, HE CONTINUES TO BE A GUEST IN OUR HOMES EVERY WEEK WITH THE SERIES CALLED "BABA." #AydaAksel #WhoIsAydaAksel #BabaDizisi