Giovanni Baptiste Viotti Konzert für Violine und Orchester Nr 22 a Moll

Giovanni Battista Viotti — admired by Johannes Brahms and Joseph Joachim — was one of the most influential violin virtuosos of his time and is often regarded as the father of the modern French violin school. His violin concertos deeply influenced Beethoven, Paganini and the Romantic concerto tradition. Viotti also played an important role in the technical evolution of violin playing by collaborating with the legendary bow maker François Tourte, whose innovations helped shape the modern violin bow and greatly expanded the instrument’s expressive and dynamic possibilities. In 1798, under suspicion of Jacobin sympathies during the political turmoil following the French Revolution, Viotti was expelled from England and retreated to Schenefeld near Hamburg, where he lived in relative isolation on the estate of an English merchant. During this period, he withdrew from public concert life, gave private lessons to the young violin prodigy Friedrich Wilhelm Pixis and performed only in private salons. Fascinatingly, Viotti largely abandoned public performing for several years to devote himself to the wine trade. The business fluctuated between success and severe financial difficulties and eventually collapsed, leaving him heavily indebted. In the final years of his life, he returned to Paris in an attempt to repay his debts through work at the opera, before dying in London in poverty in 1824. His Violin Concerto No. 22 marks the transition from the virtuoso Classical concerto to the symphonic Romantic concerto later brought to completion by Brahms. On March 25, 2022, at the Laeiszhalle Hamburg, audiences had the rare opportunity to hear both the Johannes Brahms Violin Concerto and Giovanni Battista Viotti’s Violin Concerto No. 22 in a single concert evening — revealing the remarkable musical bridge between the two works. The idea for this unusual and illuminating program pairing was conceived by violinist Joanna Kamenarska and brought to life together with conductor Christian Kunert and the Hamburger Camerata. https://www.elbphilharmonie.de/de/pro... #GiovanniBattistaViotti #Viotti #Viotti22 #ViolinConcerto #JohannesBrahms #JosephJoachim #HamburgerCamerata #ChristianKunert #JoannaKamenarska #BulgarianViolinist #BulgarianVirtuoso #Laeiszhalle #Hamburg #ClassicalMusic #ClassicalViolin #LivePerformance #ConcertPerformance #HistoricalPerformance #HistoricallyInformedPerformance #Romanticism #VirtuosoConcerto #SymphonicConcerto #MusicalHeritage #RareRepertoire #RediscoveredMasterpieces #MusicHistory #FrançoisTourte #ViolinBow #EuropeanMusic #ConcertRecording

Mozart Violin Concerto No.5 in A-Major KV.219 | Ilva Eigus - Kevin Griffiths - Empyrean Orchestra
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Mozart Violin Concerto No.5 in A-Major KV.219 | Ilva Eigus - Kevin Griffiths - Empyrean Orchestra

W. A. Mozart: Violin Concerto No. 5 “Turkish” | Esther Hoppe, Camerata Zürich | Live in Zurich
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W. A. Mozart: Violin Concerto No. 5 “Turkish” | Esther Hoppe, Camerata Zürich | Live in Zurich

#history #buddhism #buddhiststory #historyfacts #philosophy #academia #religious #buddha #culture
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#history #buddhism #buddhiststory #historyfacts #philosophy #academia #religious #buddha #culture

Berliner Philharmoniker: Die Erfindung des modernen Orchesters | Doku HD | ARTE
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Berliner Philharmoniker: Die Erfindung des modernen Orchesters | Doku HD | ARTE

7 GOALS AGAINST BRAZIL?! THIS IS INSANE 🤯🇩🇪 ALL GOALS!
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7 GOALS AGAINST BRAZIL?! THIS IS INSANE 🤯🇩🇪 ALL GOALS!

Tchaikovsky: Violin Concerto in D major, Op. 35 - Győr Philharmonic Orchestra -Kállai Ernő Violin
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Tchaikovsky: Violin Concerto in D major, Op. 35 - Győr Philharmonic Orchestra -Kállai Ernő Violin

FELIX MENDELSSOHN BARTHOLDY – Konzert für Violine, Klavier und Streichorchester d-Moll (1823)
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FELIX MENDELSSOHN BARTHOLDY – Konzert für Violine, Klavier und Streichorchester d-Moll (1823)

The UGLY Violins Musicians Love
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The UGLY Violins Musicians Love

Brahms: Double Concerto (Conductor Pekka Kuusisto)
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Brahms: Double Concerto (Conductor Pekka Kuusisto)

They Expected This Boring.. Until He Started Playing The Cello! (He's Only 14!)
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They Expected This Boring.. Until He Started Playing The Cello! (He's Only 14!)

Conductor Jaap van Zweden: musicians describe a 'pattern of fear' | Pointer
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Conductor Jaap van Zweden: musicians describe a 'pattern of fear' | Pointer

VIKTOR KOSENKO / Віктор Косенко (1896-1938) – Мрії | Dreams | Träume
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VIKTOR KOSENKO / Віктор Косенко (1896-1938) – Мрії | Dreams | Träume

Beethoven: Violinkonzert ∙ hr-Sinfonieorchester ∙ Hilary Hahn ∙ Alain Altinoglu
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Beethoven: Violinkonzert ∙ hr-Sinfonieorchester ∙ Hilary Hahn ∙ Alain Altinoglu

Bruch Violin Concerto No.1 in g minor | Ilva Eigus - Bodensee Philharmonie Konstanz
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Bruch Violin Concerto No.1 in g minor | Ilva Eigus - Bodensee Philharmonie Konstanz

Mozart | Clarinet concerto in A major K 622
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Mozart | Clarinet concerto in A major K 622

Das Royal Concertgebouw Orchestra: Die Kunst des perfekten Klangs | Doku HD | ARTE
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Das Royal Concertgebouw Orchestra: Die Kunst des perfekten Klangs | Doku HD | ARTE

Dvorak Cellokonzert, Bearbeitung für 5 Celli - Maximilian Hornung
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Dvorak Cellokonzert, Bearbeitung für 5 Celli - Maximilian Hornung

Beethoven Triplekonzert – I. Faust, S. Gabetta, K. Bezuidenhout, G. Antonini, Kammerorchester Basel
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Beethoven Triplekonzert – I. Faust, S. Gabetta, K. Bezuidenhout, G. Antonini, Kammerorchester Basel

PANCHO VLADIGEROV - Violin concerto Nr. 1 Op. 11 - Joanna Kamenarska & Hamburger Camerata
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PANCHO VLADIGEROV - Violin concerto Nr. 1 Op. 11 - Joanna Kamenarska & Hamburger Camerata

Berühmter Pianist lacht sie aus — bis ihr Spiel das ganze Publikum erstarren lässt
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Berühmter Pianist lacht sie aus — bis ihr Spiel das ganze Publikum erstarren lässt