Костный клей, левкас, темпера и олифа. Художественные технологии средневековья
Nowadays, most shields in the historical reenactment movement are covered with leather or fabric using PVA glue and painted with acrylic. In the early Middle Ages, they were apparently covered with leather, while in the High and Late Middle Ages, they were covered with either fabric or leather. And they were also painted. In this video, I want to show that creating an authentic shield isn't all that difficult. We'll be discussing bone glue, gelatin, gesso, tempera, and drying oil. I don't really need a shield, so I'll be experimenting with veneer boxes. Support the channel https://boosty.to/budnitrutnya https://t.me/+SxBzCglbX55kMzgy Telegram channel https://vk.com/alatmast Our workshop group on VK 00:00 Introduction 02:19 Fabric pasting with bone glue and gelatin 11:19 Priming with gesso 18:02 Tempera 20:58 Painting the boxes 29:47 Coating with drying oil 32:28 Conclusion

Weaving a medieval straw hat

Вязание иглой от неолита до современности. Вяжем носки

Плетём сумку каменного века из лыка| Making prehistoric textiles

Black toning cyanotypes!

Шьём средневековый кожаный футляр с тиснением

Drypoint: Intaglio Printmaking, Step by Step

Milliput Sculpting Tips, Secrets, Tricks & Colors Comparison (An Ultimate Guide)

Making Anthotypes - Niamh Fahy

How I Turned a Broken IKEA Cabinet Into a Stained Glass Art Piece | ASMR DIY furniture makeover

Epic Coast 2016 Costume Competition

Крашение натуральными красителями. Кора дуба

Плетём корзину из бересты

Do THIS to Become a Better Painter! Layering Fundamentals - PRO Acryl Basics

Carve With Me! Fellowship of the Gnome (Wizard)

Neytiri, 3D print to Bronze Masterpiece, Lost Resin Casting.

Dotted Turtle

