Aquarell: Schwierig, aber zu schaffen: Der Watzmann

Learn to Paint Easily - Watercolor Tutorial A landscape watercolor with rugged rocks, forest, bushes, trees, and meadows. Many tips and tricks await you in this video. If you know these tricks (or rather, techniques) and practice them, you'll easily be able to do it all. You just have to approach it playfully and with joy. Unlike mountaineers, for whom climbing the Watzmann is also very challenging, it doesn't work without practice and fitness. However, unlike us painters, seriousness is required... For this motif, I'm using only my hook brush and regular round and flat brushes. I wish you lots of fun and success! NEW: MY BRUSHES; MY PALETTES AND ACCESSORIES: https://www.aquarellkurse.at/meine-pi... Colors used: Pure Yellow Natural Siena Burnt Siena Magenta (or Madder Lake) Ultramarine Blue Prussian Blue Cobalt Turquoise Titanium White Paper: Saunders Waterford, 300 g/m², Rough Music: Peter Baxrainer NEW: MY BRUSHES; MY PALETTES AND ACCESSORIES: https://www.aquarellkurse.at/meine-pi... MY FREE ONLINE COURSE (absolutely required to learn the basics): https://www.aquarellkurse.at/ PLEASE FOLLOW MY THREE MOST IMPORTANT RULES: 1) Never skimp on paper! It's best to use Arches or Saunders Waterford (cold pressed) or other quality papers, as described on my website. Caution: Most inexpensive promotional papers aren't even suitable for practice. 2) Pay attention to the paper's moisture content. For soft, blended cloud skies, the relevant area of ​​the paper should be evenly moistened. However, if you want to create granulation (rather unlikely with skies and clouds), the paper must be dry. 3) Constantly control the brush fill (the amount of paint in the brush). This is the most difficult part and can only be mastered with a lot of practice. Especially with wet-on-wet painting, too much moisture (or paint) in the brush can quickly create those unsightly "cauliflower edges." For soft, blended gradients in skies and clouds: Start with light, watery shades – add darker colors to the still-damp paper in a creamy consistency. I described all of this many years ago in my free online course: THESE THREE POINTS ARE UNFORTUNATELY UNDER-EMPHASIZED. IT COULD BE SO SIMPLE...