SCINEMA EP.8 : MONSTRES & ÉNERGIE

Mr. Bill, is that it? A very experimental episode! I hope enjoy it. I will make a "making-of" blog article in a few weeks (after my partial and a rest period). I do not monetize the video so do not hesitate to put AdBlock hehe. And then there's Tipeee too: https://www.tipeee.com/scinema/ ➜ A little word on the vulga of this episode: I am aware that my explanation of the difference in performance between laughter and shout is not necessarily very true, since the vibration of the sensor will be mainly with respect to the frequency of the sound and less by that of the overall modulation of the sound. 'intensity. The idea is just to introduce the notion of frequency response and resonance. These concepts would have been too long to explain and introduce, the first versions of the script were bcp more rigorous on these points but it created a big hole of rhythm in the video and I decided to prune the maximum and to stay on the surface about this question. Overall, I am very aware that it is going too fast for everything to be understood, and that some points that I have simplified lead to inaccuracies. I will do better next time. ➜ A quick note on the 2D animation sequence: The title sequence of Monsters & Co. was completely rebuilt by me on After Effects. The sprites were recovered by screenshot of the original animation, cut and resuscitated by adapting to the scientific discourse while remaining faithful to the original animation of Patrick Siemer (https://vimeo.com/siemer). The original sequence was designed by Geefwee Boedoe (http://geefwee.com). You can find his interview telling the production of this sequence here: http://www.artofthetitle.com/title/mo... Additional sprites (microphone, speaker, turntable and voltmeter) were created by Gabrielle Siraudin (  / gabriellesiraudin  . Although using copyrighted material, this sequence is created from scratch and respects the parody exception rule. ➜ Some sources used: An extremely well-phrased answer to the question of the episode by a researcher of MIT (it slams yes): http://engineering.mit.edu/engage/ask... On the roughness, there are quite a few sources, I hope not to have distorted too rigorous definition. I mainly based on this university article (audio samples also come from here): https://www.salford.ac.uk/research/si... -Products-better-sound / accordion / sound-quality-testing / roughness-fluctuation-strength On the roughness of the cry, the article in Current Biology in 2015 "Human Screams Occupy Privileged Niche in the Communication Soundscape": https://www.sciencedaily.com/releases... I only talked about the first part of this article (the acoustic part), the rest (science of communication) ... we'll talk about it in a next video;) Some graphs on global energy consumption and its evolution: https://yearbook.enerdata.net/total-e... ➜ Music and video clips: The music and video sources are displayed in the credits of end of video, not the trouble to ask them in comment;) But in advance: the early music is Superpoze's "For We the Living" and in the end it's "Palco" by Gilberto Gil. ---------------------------- You can like, share, subscribe if it tells you, or talk about it around you, it is the best way to help me on this project. You can also support the channel on Tipeee if you have the motivation 'and the money: https://www.tipeee.com/scinema/ Feel free to ask questions in comment if you have not understood something! The music and video sources are displayed in the credits of end of video, not the trouble to ask them in comment;) But in advance: the end song is Palco by Gilberto Gil. ---------------------------- Between writing, filming and editing, the episode asked for more than I-do-not-how-many hours of work. An episode written, edited and directed (and produced) (the real ones will have the ref) by Jean-Baptiste Siraudin. Find Scinema on Facebook:   / scinemax   Or on Twitter:   / scinema_x   Or on the blog: https://jbscinema.wordpress.com/