Ribbon Mics as Close Drum Mics? AEA N22 on Toms, Kick and Snare
Ribbon mics are often thought of as fragile and sensitive microphones, but these N22s are known to get close to the action. In this episode, we try them out as close mics for drums for toms, kick and snare. Toms mics are always a performance of the sound of the tom, but also how well the microphone rejects the cymbals. Support the next video through buying a course ($17 - $67), or supporting me on Patreon with benefits for $1. Courses: http://recordingschool.creativesoundl... Patreon: / creativesoundlab For more go to: http://www.creativesoundlab.tv

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Recording with Ribbon Mics: Overheads

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AEA N22 Ribbon Microphone Review & Demos

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Breaking the Audio “Rules“ | Mic a Kick Drum with a Ribbon Mic

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Ribbon mic shootout: AEA R84A (A840) vs Coles 4038 vs Extinct Audio BM9

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Ribbon Microphones: The Complete Guide for Recording Engineers

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The #1 Snare Tuning Mistake You Are Making

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Chasing After a Massive Kick and Snare Sound with One Mic - RCA 44BX and RCA OP-6

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Jazz Drums Microphone Placements 03: Bass Drum Mic Placements

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AEA Ribbon Microphones Compared at ZenPro Audio: R84 R92 N22 Nuvo

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Recording Drums | From Mono to Stereo | EP 2

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ALL Ribbon Mics on Drums with Cloud Microphones

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She's 12. She's Dressed To School. Then Turns Into A REBEL Drummer!

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What You're Not Supposed To Do To Ribbon Mics - Sound Speeds

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Inexpensive Ribbon Mic Shoot-out

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How to Close Mic HiHat and Ride - 3 Tips - AEA N22

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Ultimate Drum Overhead Microphone Shootout

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