<上級編>三味線が飛躍的に上達する人は、技術ではなく作品に向かっている

This video doesn't offer any special shortcuts for rapid growth. Rather, it's a suggestion to rediscover the attitude of "engaging with the work," which is relatively commonplace in other art forms, within the study of music. Furthermore, this video is aimed at those who have begun to feel that "despite accumulating understanding, something fundamental hasn't changed." In much learning, improvement comes from identifying problems and solving them one by one. However, true growth doesn't occur through that alone. In fact, it begins with realizing that something you didn't consider a problem was actually the biggest challenge. To achieve this, you need to venture into areas you don't understand, rather than simply extending what you already know. And this rarely happens alone. Teachers, peers, audiences, instruments, works, spaces—it is through encounters with these "others" that one can truly step outside of oneself. This video discusses, through actual dialogue, the following: Why do many people fail to achieve significant growth? How do real challenges manifest themselves? What is the meaning of engaging with creative work? Why are encounters with others necessary? 00:00 What I really want to convey is "the unknown" 01:24 The prerequisites and four steps for breakthrough growth 02:38 The problem of "not knowing what you want to do" 03:09 Three types (no works / aiming from the start / lost) 05:06 When you work on a piece, the real challenges emerge 06:43 "What you want to do" is unexpected 08:54 Breakthrough is "an experience of changing yourself" 10:27 The power of others (mentors, friends, audience, instrument) 12:01 Encountering things you don't understand and things that scare you 12:32 The choice to let go of effort once 15:41 What is a performance that enters the unexpected? 17:19 The meaning of recording a performance as a work 20:15 Releasing it as a work 20:52 Talent is discovered later

<上級編>三味線が上達しない本当の理由は“無意識”――演奏が激変する鍵 上級編三味線の学び方 基礎や基本以前に習得すべきこと
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<上級編>三味線が上達しない本当の理由は“無意識”――演奏が激変する鍵 上級編三味線の学び方 基礎や基本以前に習得すべきこと

演奏者の成長とは 〜本質的な上達、承認欲求を超えた世界〜 三味線や音楽、伝統芸能(邦楽)を学び続けるとどうなるのか
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演奏者の成長とは 〜本質的な上達、承認欲求を超えた世界〜 三味線や音楽、伝統芸能(邦楽)を学び続けるとどうなるのか

三味線「音色の秘密:西洋楽器との違い」音色の講座 自然の音と三味線 三味線の音色はどのように変化してきたのか(大量生産品と江戸、明治、大正、昭和初期(戦前)の三味線の音色) デジタル三味線の基礎知識
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三味線「音色の秘密:西洋楽器との違い」音色の講座 自然の音と三味線 三味線の音色はどのように変化してきたのか(大量生産品と江戸、明治、大正、昭和初期(戦前)の三味線の音色) デジタル三味線の基礎知識

対談「普通の主婦が芸人になる過程」私を変えた特別な体験 演奏者の成長とは(2) 津軽三味線との出会い
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対談「普通の主婦が芸人になる過程」私を変えた特別な体験 演奏者の成長とは(2) 津軽三味線との出会い

よくある相談2位「基礎や基本を学んでいない」三味線の学び方 音楽や楽器の基礎、演奏動作の基本や聞く訓練
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よくある相談2位「基礎や基本を学んでいない」三味線の学び方 音楽や楽器の基礎、演奏動作の基本や聞く訓練

琴臣ドキュメンタリー 第1幕 〜決意〜
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琴臣ドキュメンタリー 第1幕 〜決意〜

解説「達人の境地とは(1)」上級編 三味線の学び方 上達に必要な知識
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解説「達人の境地とは(1)」上級編 三味線の学び方 上達に必要な知識

Why does skillful playing sometimes fail to resonate? The secret to captivating performances [Sha...
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Why does skillful playing sometimes fail to resonate? The secret to captivating performances [Sha...

なぜ50,60代に三味線を始める人が多いのか?「深みのある演奏へ」ミドル、シニア世代からの三味線の始め方、学び方、学び直し 40〜80代向け
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なぜ50,60代に三味線を始める人が多いのか?「深みのある演奏へ」ミドル、シニア世代からの三味線の始め方、学び方、学び直し 40〜80代向け

三味線 音色の聴き分け方 上達最大の秘訣は"深く聴こえること" 〜音色の秘密:複雑な倍音とは〜
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三味線 音色の聴き分け方 上達最大の秘訣は"深く聴こえること" 〜音色の秘密:複雑な倍音とは〜

Japanese people, you absolutely must see this. The secret of humanity's oldest music, which "shou...
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Japanese people, you absolutely must see this. The secret of humanity's oldest music, which "shou...

解説「音楽と感情をつなぐ方法」思考と感情を切り分ける基本的な方法 三味線奏者のための感情や情動の基礎知識
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解説「音楽と感情をつなぐ方法」思考と感情を切り分ける基本的な方法 三味線奏者のための感情や情動の基礎知識

[Shinobue] [How to choose a Shinobue] Actually... thick Shinobue sound good even if you play them...
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[Shinobue] [How to choose a Shinobue] Actually... thick Shinobue sound good even if you play them...

"Can you play the shamisen with your eyes closed? Body awareness is more important than technique...
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"Can you play the shamisen with your eyes closed? Body awareness is more important than technique...

令和版「挫折しない三味線の学び方・始め方」教室選び、経験者の学び直し、独学は可能なのか、初心者向け情報
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令和版「挫折しない三味線の学び方・始め方」教室選び、経験者の学び直し、独学は可能なのか、初心者向け情報

What happens when you acquire a deep foundation? Advanced Shamisen Learning Method 2: Basic Music...
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What happens when you acquire a deep foundation? Advanced Shamisen Learning Method 2: Basic Music...

Kodama Hiroyuki shows how to make jinashi shakuhachi
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Kodama Hiroyuki shows how to make jinashi shakuhachi