32-Bit Floating Point Recording | Don't Set, Just Forget!
Want high end monitoring for less? Check out our very own MUM studio monitors here: https://www.presentdayproduction.com

▶︎
Why You Don't Need to Record in 32 Bit Float....

▶︎
PCM vs Floating Point audio demystified (16bit vs 24bit vs 32bit vs 32bit float)

▶︎
What SAMPLE RATE Should You Record At? | Why HIGHER Can Be WORSE!

▶︎
Why Copying Compressor Settings Doesn't Work

▶︎
Sleep Token Producer George Lever Reveals His Studio Design, Monitoring Choices & More!

▶︎
The 32 Bit Audio Trap Japan Knew About For Years

▶︎
We Built A Subwoofer That Doesn't Try To Impress You

▶︎
6 Essential Stereo Mic'ing Techniques YOU Should Know!

▶︎
Studio Acoustics Part 4 | Choosing and Using ACOUSTIC PANELS | Velocity vs Pressure Traps

▶︎
The REAL Secret to a GREAT Mix (and we're not talking monitors!)

▶︎
The TRUTH about 32 BIT FLOAT for audio recording– Really useful or marketing hype?

▶︎
The "Nyquist theorem" isn't what you were taught (why digital used to suck)

▶︎
Why Your Mix Might Be Clipping — Even If It Sounds Fine in Studio One

▶︎
Everything YOU Need To Know About EQ!

▶︎
No More Gain Setting — The Magic of 32 Bit Float Audio Recording and Why you May NOT Need It

▶︎
Decibel Scales And Loudness Units And Why You NEED To Know Them

▶︎
The Reason Why Older Records Sound Better

▶︎
32 Bit Floating Point Explained - Sound Speeds

▶︎
Mastering For Vinyl | Once It's Pressed, It's FINAL!

▶︎
