マクガイヤーゼミ 第15回「今だから復讐したい『ジャンゴ 繋がれざる者』とタランティーノ映画」

Continue watching this video here →    • 第15回 会員限定 今だから復讐したい『ジャンゴ 繋がれざる者』とタランティーノ映画   Dr. McGuire talks about all the latest geeky topics! To celebrate the release of 'The Hateful Eight,' we're featuring director Quentin Tarantino!! We'll be featuring Tarantino's masterpiece, 'Django Unchained.' This episode's summary: ○Who is Tarantino? 55 years old Born in Knoxville, Tennessee in 1963 Raised in a single-parent household; his mother was also a huge movie buff, and he grew up watching movies with her → developed a mother complex, foot fetish, misogyny, and female worship. Moved to the South Bay area of ​​Los Angeles in 1966. 1977: Debut film, "The Amazing Adventures of Mr. Lee." 1979: Dropped out of Narvon High School, worked in a porn theater, and studied acting at the James Best Theatre Company. 1985: At age 22, worked as a clerk at a video store in Manhattan Beach. 1987: Met film producer Lawrence Bender at a party, who encouraged him to write a screenplay; wrote "My Best Friend's Birthday" → "True Romance." 1992: "Reservoir Dogs." Harvey Keitel liked the script and agreed to star in and produce it. It became a hot topic at the Sundance Film Festival. 1992-94, screenwriting work: True Romance (1993), Natural Born Killers (1994) original story, Crimson Tide (1995), rewrite of The Rock (1994). 1994, Pulp Fiction: Palme d'Or at the Cannes Film Festival, Academy Award for Best Original Screenplay. 1995, Four Rooms episode 4, "The Man from Hollywood". 1995, screenplay for From Dusk Till Dawn. 1997, Jackie Brown - a huge flop. 2003, Kill Bill Vol. 1: A compilation of Japanese films, choose your favorite actress from Battle Royale! Kou Shibasaki declines 2004, Kill Bill Vol. 2: Hong Kong Films, Spaghetti Westerns 2007, Death Proof in Grindhouse 2009, Inglourious Basterds 2012, Django Unchained 2015, The Hateful Eight A goofy movie buff, his annual top 10 lists are a hot topic (just like King's) The man who has (almost) fulfilled all of a goofy movie buff's dreams Mixing personal and professional life in casting Collaborating with respected filmmakers Her and her muse Uma Thurman His own film distribution company, his own movie theater, New Beverly Cinema. Retire at 60, retire after making 10 films Film supremacy, deliberately scratched death proof → proof that many people have seen it NG → Do it again, because I love movies ○ Elements common to Tarantino films Homage and sampling for cinephiles Sampling in filmmaking has happened before, in Godard's "Separated Parties," within a postmodern context → Sampling sources are genre films, non-academic, non-cinephile (Japanese, Hong Kong, Australian, American B-movies) films, chronological shuffling, ensemble drama, rambling dialogue, crime suspense = Tarantino followers, only Refn is left now, what's the difference from Tarantino? → Including the music and editing, it's just cool (Kill Bill), it reminds you of the original even if you don't know it (Cinematic Memory ALWAYS) → Actually, he's not good at directing action → In that case, let's sample! →The greatest appeal lies in the way he brings out the primitive charm of film through sampling. Basically, he's the American Hideaki Anno. ●Differences from his followers ・Even with brutal depictions, there's a sense of humor. ・Is his delight at being told the source material a sign of his confidence? ・Actor regeneration factory, he has a strong sense of his own original values ​​(in contrast to Japanese films). ・Chapter structure, easy to watch. ・Long running time, a bad habit? →Seemingly insignificant conversations actually have meaning (like a virgin for character expression, "Quarter Pounder Cheese (1/4)" is "Cheese Royal (nobility)" in France, representing royalty). ・Music: He chooses from existing songs that make you wonder, "Where did this song come from?" (Kill Bill and New Battles Without Honor and Humanity), he conceives scenes from music, and when he comes to Japan, he buys a lot of soundtracks (many soundtracks only sold in Japan) → Django Such a film director is rare (perhaps only Del Toro?), and he goes drinking in Golden Gai because Fukasaku does. Revenge: A film isn't a film without catharsis at the end Revenge for a clueless geek Rolling Thunder: A revenge film about a Vietnam veteran thug Graphic violence Skillful suspense, Hitchcock's time bomb theory and espionage A film that "pretends" A film is fundamentally about "pretending" The race exploitation trend after 'Death Proof' Sexploitation, Jewish exploitation, and blaxploitation films as Westerns (where black people brutally kill evil white people)—new! Originally, this term was used negatively, referring to films that were cheaply made, had little production value, and possessed a vulgar and crude style. However, in reality, because exploitation films are not mainstream films, they could approach ideological and other issues that mainstream filmmakers would face when trying to tackle them, such as the barriers they would encounter with fil...