Johann Johannsson - Good Morning, Midnight & Good Night, Day / Orphée (Video)

Orphée TRACK LIST 1. Flight From The City 2. A Song For Europa 3. The Drowned World 4. A Deal With Chaos 5. A Pile Of Dust 6. A Sparrow Alighted Upon Our Shoulder 7. Fragment I 8. By The Roes, And By The Hinds Of The Field 9. The Radiant City 10. Fragment II 11. The Burning Mountain 12. De Luce Et Umbra 13. Good Morning, Midnight 14. Good Night, Day 15. Orphic Hymn Jóhann Jóhannsson presents Orphée Golden Globe-winning and Oscar-, BAFTA- and Grammy-nominated composer Jóhann Jóhannsson’s first album for Deutsche Grammophon is a meditation on beauty and the process of creation. Orphée traces a path from darkness into light, inspired by the various re-tellings of the ancient tale of the poet Orpheus, from Ovid’s to Jean Cocteau’s. A many-layered story about death, rebirth, change and the ephemeral nature of memory, the myth can also be read as a metaphor for artistic creation, dealing with the elusive nature of beauty and its relationship to the artist, as well as the idea that art is created through transgression – by the poet defying the gods who have forbidden him to turn back towards his beloved as he leaves the Underworld. Orphée’s sonic palette is varied, combining acoustic instruments both solo and in ensemble with electronics and the mesmeric sounds of shortwave radio “numbers stations”. It draws on many facets of his previous albums, incorporating music for solo cello, organ, string quartet, string orchestra and unaccompanied voices. Orphée shows the full range of the Icelandic composer’s remarkable invention and uncanny feeling for atmosphere. The music of the entire album is tied together structurally by recurring harmonic and melodic elements, yet each track sounds fresh, evocative and unique. Orphée reconciles ambitious orchestral and vocal writing with influences ranging from the Baroque to minimalism and electronic music. Also influenced by film composers Bernard Herrmann, Ennio Morricone and Michael Nyman (all prolific writers, like Jóhann himself, of concert music as well as film scores), Jóhannsson is a contemporary exponent of a tradition that was shaped by composers such as Shostakovich, Prokofiev, Walton or Korngold. “Orphée is for me about changes: about moving to a new city, leaving behind an old life in Copenhagen and building a new one in Berlin – about the death of old relationships and the birth of new ones,” explains Jóhann. “Perhaps this is one of the reasons I was drawn to the Orpheus myth, which is fundamentally about change, mutability, death, rebirth, the elusive nature of beauty and its sometimes thorny relation to the artist. This album, my first solo record for six years, is an oblique reflection on personal change.” Orphée is a haunting and atmospheric musical journey, crowned by the sublime Orphic Hymn – a setting of Ovid’s text performed by Paul Hillier’s Theatre of Voices. The album is a reflection on change, memory, beauty and art, and ultimately celebrates the latter’s power of renewal, while acknowledging the dark paths along which it can lead the artist. “Making Orphée has been a true labour of love, one that has been a part of my life for six years, and yet the music always remained fresh – it was constantly in a state of flux and renewal,” its composer concludes.