Lecture 1, Introduction to History Painting
For six centuries, history painting—pictures based on stories from myth, scripture, and ancient and modern history—was the most prestigious work a painter could do. Renaissance artists and writers laid down the definitions, goals, and rules. We outline these and look at many examples of how they changed as pictorial narrative evolved until its eclipse in the 19th century.

▶︎
Lecture 2, Unintended Consequences: Antonio del Pollaiuolo's Hercules and Deianira (c. 1475-80)

▶︎
Lecture 3, Darkness to Light: Garofalo's The Conversion of Saint Paul

▶︎
Raphael Up Close: Perspectives on Research — Symposium

▶︎
Lecture 10, Handwriting on the Wall: John Martin's Belshazzar's Feast (1820)

▶︎
Cosmology Lecture 1

▶︎
Learning to See: Visual Fundamentals

▶︎
Lecture 5, Against Nature: Peter Paul Rubens's Hero and Leander

▶︎
John Wellington Color Theory Masterclass

▶︎
Dawn of the High Renaissance, 1475-1520 | A Narrative Art History of the Renaissance (S1 E1)

▶︎
Art II: Renaissance & Baroque 1400–1800, with Rick Steves

▶︎
Lecture 4, "But, Lord, He Stinketh!": Marco Pino's The Resurrection of Lazarus

▶︎
1. Introduction to Human Behavioral Biology

▶︎
Lecture 7, Benjamin West's Agrippina Landing at Brundisium with the Ashes of Germanicus

▶︎
Lecture 6, "To Paint the Way the Spartans Spoke": Gavin Hamilton's The Death of Lucretia

▶︎
Art History: What Makes a Caravaggio?

▶︎
Painting Techniques: From Rembrandt to Vermeer

▶︎
Lecture 12, History Painting after Two World Wars: Anselm Kiefer's Die Ungeborenen

▶︎
ARTH2710 Lecture02 Prehistoric Art

▶︎
Why You Don’t Get Contemporary Art | Jessica Backus | TEDxCornellTech

▶︎
