The Cellos of Antonio Stradivari
---List of Cellos: 'ex-Vatican' Stradivarius (1620*/1703) 'ex-Du Pré; ex-Harrell', 1673 'General Kyd; ex-Leo Stern', 1684 'Marylebone', 1688 'Medici', 1690 'Castelbarco', 1699 'Barjansky', 1690 'ex-Gendron; ex-Lord Speyer', 1693 'Spanish Court' ('Decorado'), 1694 'Bajo Palatino', 1700 'ex-Archinto', 1689 'Bonjour', 1696 'Lord Aylesford', 1696 'Bass of Spain', 1713 'Cholmondeley', 1698 'Stauffer; ex-Cristiani', 1700 'Servais', 1701 'Paganini-Countess of Stanlein', 1707 'Boni-Hegar', 1707 'Boccherini; Romberg', 1709 'Mara', 1711 'Markevitch; Delphino', 1709 'Gore Booth; Baron Rothschild' 1710 'Duport' 1711 'Flatback, Betts, Iwasaki' c. 1670 'Cavalieri, Chigiana' 1680 'Visconti da Madrona' 1684 'L'Evèque' 1690 'Segelman, Hart' 1692 'Bonnet' 1693 'Prince Gursky' 1696 'De Kermadec Bläss' 1698 'Fau, Castelbarco' 1707 'Magg' 1698 'St. Senoch, Murray' 1698 'Batta-Piatigorsky' 1714 'Davidoff' 1712 'Fau, Castelbarco' 1707 'Magg' 1698 'Davidoff' 1712 'Batta-Piatigorsky' 1714 'Amaryllis Fleming' 1717 'de Vaux' 1717 'Bonamy Dobree, Suggia' 1719 'Becker, Duke of Marlborough' 1719 'Piatti, Red Cello' 1720 'Vaslin, La Belle Blonde' 1725 'Baudiot' 1725 'Chevillard' 1725 'Hausmann' 1724 1725 cello 'Marquis de Corberon, Loeb', 1726 'Comte de Saveuse', 1726 'Chester-Ward' 1727 'Fruh Gamba', 1727 'Bein, Fruh', 1727 'Iwasaki', c. 1727 'Feuermann, De Munck, Gardiner', c. 1730 'Paganini', 1736 'Pawle, Ben Venuto, Gardiner', c. 1730 'Scholz, Goltermann', c. 1730 'Vaslin Composite', c. 1730 'Braga', 1731 'Giese', 1731 'Stuart, Honigberg', 1731 'Josefowitz', 1732 ------------------ Photo credits: Tarisio Strad Magazine Smithsonian Library of Congress Wikipedia Facebook / Instagram Strings Magazine Ingles & Hayday www.cbc.ca Nippon Foundation artsandculture.google.com blog.feinviolins.com casa-stradivari.com Stradivari Stiftung Habisreutinger MET museum culture.pl www.drumforum.org koreaherald.com -- Music: https://www.epidemicsound.com/track/y... J. S. Bach: Cello Suite No. 2 in D minor, BWV 1008 I. Prélude By Laura Metcalf
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