Crossing Strings (Part 2): Ševčik's Opus 2 Part III, No 356-370.
We continue our technical journey by applying the movements we learned in Crossing Strings (Part One) to some of Ševčik's Opus 2 Part III, No 356-370. In a clear, step-by-step way, I show you how to practise these exercises in a way that will be useful when applied to the repertoire and warn you of some of the pitfalls and dangers of practising pure technique.
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Bow Technique: The Horizontal Movement of the Wrist
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Etude No 2 from "Baroque Etudes, Volume I," to be published later this year.
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Contact Exercises 1
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My Golden Retriever Heals a Terrified Rescue Kitten in Just 3 Meetings!
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They Called Kung Fu “Dancing” Until Bruce Lee Entered the Ring Against 3 Karate Giants
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5 Violin Brands ROBBING You Blind (And 5 That Are Worth The Money)
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Amadeus (1984): 10 Surprising Facts About the Film
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I Was NOT Ready for German Police Code 3… (American Reaction)
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They Expected This Boring.. Until He Started Playing The Cello! (He's Only 14!)
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Bow control: friend or foe?
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Jazz Hot (1938) The Rare Short Film With Jazz Legend Django Reinhardt
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Something is jamming GPS over Europe. Here's what we found
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Olaf installs the God Pillar in a violin
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Why The Russian Accent Terrifies Everyone
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You're Doing Push-Ups Wrong... This Is Why You're Not Getting Stronger
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Perfect Bow Technique: Sevcik’s Formula for violin, viola, cello
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Contact Exercises (2)
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Russia's Logistics Collapse Triggers Serious Panic from Soldiers
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What RAF Pilots Said When They First Flew The American P-51 Mustang
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