How to Listen to Classical Music: Symphony 101
Watch video of the class "Symphony 101," held Jan. 20, 2011. Giancarlo Guerrero, music director and conductor of the Nashville Symphony, leads an engaging and invigorating discussion about the elements and structure of the music of the symphony orchestra. What is a symphony? Maestro Guerrero will dissect the symphonic form exploring scherzo, minuet, theme and variation, and more. The great composers of symphonies and their works are also explored through their different approaches to the form and their unique and recognizable voices. The Osher Lifelong Learning Institute at Vanderbilt supports lifelong learning. It is an organization that provides adults with educational programs, stimulating tours and trips, and a variety of social events. The program reflects the high academic standards espoused by the university on all levels. By offering non-credit courses, students benefit from the stimulus of lectures and discussions in an informal and relaxed environment. The student body is a cohesive group that projects a true sense of community, always welcoming new members. The Division of Public Affairs sponsors Osher Lifelong Learning Institute at Vanderbilt.

Beethoven 5th Symphony: Analysis by Gerard Schwarz

How to Listen to Classical Music: The Basics

1. Introduction

How to Listen to Classical Music: String Things

Music Chat: Conductors Behaving Badly

Gerard Schwarz gives a Conducting Lesson

The Professor Who Taught People How To Think (1962)

Mozart vs Beethoven: The Key Differences Every Pianist Should Know

Schiff on Bach

How to Listen to Classical Music: Expression and Emotion

The Chord That Ended Classical Music

Lecture 17. Mozart and His Operas

The 10 Most Emotionally Draining Orchestral Works

Bernstein: Mozart and Symmetry / Norton Lectures: Musical Syntax

Dvořák 9th Symphony: Musical Analysis by Gerard Schwarz

'How to listen to music' by Daniel Barenboim

How to Listen to Classical Music: Sonata Form

Bernstein, The greatest 5 min. in music education

Lecture 13. Fugue: Bach, Bizet and Bernstein

