Cleveland International Classical Guitar Festival®: Colin Davin and Duo Melis in Concert
Please consider supporting the Cleveland International Classical Guitar Festival®. Visit https://www.guitarsint.com/donate to learn more. Though our work is one of passion and love, to commission the world's finest concert artists to create and perform in our original videos is expensive. Your patronage will be much appreciated. The Cleveland International Classical Guitar Festival® is a non-profit 501(c)(3) organization. Your tax-deductible donation will help us sustain artistic excellence and continue to offer musical events which inspire and educate both students and adults of all ages and backgrounds. ----------------------------------------------------------------------------------------------------------------------------------------------------------- --Colin Davin, guitar-- Antonio Lauro (1917-1986): Valses Venezolanos no. 2 "Andreina" and no. 3 "Natalia" Pedro Elías Gutiérrez (1870-1954), arr. Alirio Díaz: Alma Llanera Leo Brouwer (b. 1939): Sonata del Caminante Visión de la Amazonia - El Gran Sertao - Danza festiva - Toccata Nordestina Manuel María Ponce (1882–1948), arr. Celil Refik Kaya: Estrellita Jorge Morel (1931-2021): Danza Brasilera --------------------------------------------------- Audio/Video Production: Colin Davin Production Assistant: Andy Poxon ---------------------------------------------------- --Duo Melis, guitars-- Antoine de Lhoyer (1768-1852): Duo Concertant, op. 31 no. 2 Allegro moderato - Minuetto: Poco vivace - Adagio cantabile - Rondo Allegretto Joseph-Nicolas-Pancrase Royer (1703-1755): L'Aimable Le Vertigo Isaac Albéniz (1860-1909): Mallorca Alberto Ginastera (1916-1983): Danzas Argentinas Danza del viejo boyero - Danza de la moza donosa - Danza del gaucho matrero ----------------------------------- Audio/Video Production: David Jaggs ----------------------------------- THE CLEVELAND INTERNATIONAL CLASSICAL GUITAR FESTIVAL® Strives To: INSPIRE guitarists and non-guitarist of all ages and backgrounds; ENCOURAGE deeper thought, discussion, and understanding about how we perceive, perform, and evaluate fine music; NURTURE new and old musical relationships; FACILITATE the creation and dissemination of fine musical art. WE BELIEVE that it is in heightened moments of musical magic—when art and chance coalesce, time stops, and egos dissolve—that often we become most mindful of our shared humanity.

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