Урок вокала. 4 шага для постановки микста. Как научиться петь микстом самостоятельно.

►►►My Vocal Courses - https://ivanradkov.ru/products ►►►Personalized Tuition - https://ivanradkov.ru/products/tvoi-n... In this lesson, we'll look at what a mixed voice consists of. I once studied with a classical teacher at the Institute of Arts and Culture, and she called the mixed voice "mythical." Years later, and not immediately, I understood what she meant :) Classical vocal training takes into account factors that form this very same mixed voice: 1. Subglottal air pressure. This control is called support, singer's breathing, and sometimes anchor breathing. 2. Supraglottal pressure. Different teachers also call this control by different names. We teachers are so busy inventing new names for them—impedance, laryngeal narrowness, twang, compression, quack, various types of constriction, ring, narrowing, and so on. The essence of these two processes is to provide the vocal cords with comfortable conditions for life. And for singing :) If we've created good conditions for the cords and the vocal apparatus as a whole, it begins to open up as a singer. And here the next two main factors determine the mixed-singing characteristics of the voice. 3. Lows - Vocal cord activity for thickening. This activity is often called: Chest voice, density, fatness, fleshiness of the voice, thick mass. 4. Vocal cord activity for lengthening. In different vocal schools, this phenomenon is described as: Head voice, thin mass, falsetto... In general, vocal cord activity for lengthening is responsible for the flight and agility of the voice, for the upper range. So, in this lesson, we'll take the first steps toward finding these activities and balancing them. Good luck with your vocals! ►►►My music https://ivanra.bandcamp.com/ ►►►I'm on Instagram:   / ivan_radkov88   ►►► VK blog https://vk.com/youcan_sing ►►► My Telegram https://t.me/vocalrigor ►►►I'm on VK: https://vk.com/iradkov