【第51回】2フィンガーのリズムを安定させるエクササイズ 石村順の低音よろず相談所 〜Jun's Bass Clinic〜

A collaborative project with BASS MAGAZINE WEB, "Jun Ishimura's Bass Clinic" The theme of the 51st episode is "Exercises to Stabilize Two-Finger Rhythm!" ▼Subscribe to the BASS MAGAZINE YouTube channel here!▼ http://www.youtube.com/channel/UCGIjt​... ◎BASS MAGAZINE WEB https://bassmagazine.jp​ ◎BASS MAGAZINE WEB: Jun Ishimura's Bass Clinic [Episode 1] Is "Tension" the Cause of My Bass Skills? https://www.youtube.com/watch?v=B9cAg​... [Part 2] Improve your rhythmic precision by choosing the right click tone. https://www.youtube.com/watch?v=vEpCw​... [Part 3] The secret to successful position changes.    • 【第3回】ポジション移動で失敗しない秘訣  石村順の低音よろず相談所 〜Jun's ...  ​ [Part 4] The click is your friend! Stop relying on it.    • 【第4回】クリックは友達! 依存をやめよう  石村順の低音よろず相談所 〜Jun's...  ​ [Part 5] The back is the star!    • 【第5回】ウラが主役!  石村順の低音よろず相談所 〜Jun's Bass Clinic〜   [Episode 6] The theme is "No live sounds!"    • 【第6回】生音禁止!  石村順の低音よろず相談所 〜Jun's Bass Clinic〜   [Episode 7] Is two-finger playing a three-legged race?    • 【第7回】2フィンガーは二人三脚?  石村順の低音よろず相談所 〜Jun's Bas...   [Episode 8] Feel the length of the note!    • 【第8回】音の長さを感じよう!  石村順の低音よろず相談所 〜Jun's Bass ...   [Episode 9] The right amount of pressure    • 【第9回】ちょうどいい力加減  石村順の低音よろず相談所 〜Jun's Bass C...   [Episode 10] Secret trick to turn the back side to the front - Tantakatan ①    • 【第10回】ウラをオモテにする裏ワザ〜タンタカタン①  石村順の低音よろず相談所 〜...   [Episode 11] Secret trick to turn the back side to the front - Tantakatan ②    • 【第11回】ウラをオモテにする裏ワザ〜タンタカタン②  石村順の低音よろず相談所 〜...   [Part 12] Secret Trick to Turn the Back to the Front - Tantakatan ③    • 【第12回】ウラをオモテにする裏ワザ〜タンタカタン③  石村順の低音よろず相談所 〜...   [Part 13] Secret Trick to Turn the Back to the Front - Tantakatan ④    • 【第13回】ウラをオモテにする裏ワザ〜タンタカタン④   [Part 14] Are you bending your wrist too much? Right hand form for fingerpicking    • 【第14回】手首曲げすぎ!? 指弾きの右手のフォーム   [Part 15] Are you bending your wrist too much? Right hand form for fingerpicking 2: Wrist angle relative to the body    • 【第15回】やっぱり手首曲げすぎ!? 指弾きの右手のフォーム2 ボディに対する手首の角度   [Part 16] Right hand form for fingerpicking 3: How to move your fingers    • 【第16回】指弾きの右手のフォーム3 指の動かし方   [Part 17] How to use your right thumb when skipping strings with your fingers 1    • 【第17回】指弾きで弦跳びするときの、右手親指の使い方 1   [Part 18] How to Use Your Right Thumb When Jumping Strings with Your Fingers 2    • 【第18回】指弾きで弦跳びするときの、右手親指の使い方 2   [Part 19] Don't create the same tone as on CD! Pitfalls of sound creation! ①    • 【第19回】CDと同じ音色を作るな! 音作りの落とし穴!①   [Part 20] How to make the "sound that reaches the listener's ears" closer to your imagination: Pitfalls of sound creation! ②    • 【第20回】“リスナーの耳に届く音”をイメージに近づける方法 音作りの落とし穴!②   [Part 21] Understand scales musically!    • 【第21回】スケールは音楽的に理解するべし!   [Part 22] Understand scales from a different perspective!    • 【第22回】スケールを別の角度から理解するべし!   [Part 23] Scale practice: understanding the fretboard from a broader perspective    • 【第23回】広い視野で指板を把握するスケール練   [Part 24] Overcome skipping notes with extended fingering positions! Scale practice Part 4    • 【第24回】音飛び運指をポジション拡張で乗り切れ! スケール練 Part 4   [Part 25] Changing the Way Notes are Combined: Scale Practice Part 5    • 【第25回】音の組み合わせ方を変えよう スケール練 Part 5   [Part 26] Scale Practice Part 6: Rhythm Variations    • 【第26回】スケール練 Part 6 リズム・バリエーション   [Part 27] Scale Practice Part 7: Improve Your Skills with Four-Note Patterns!    • 【第27回】スケール練 Part 7 4音パターンでスキル向上!   [Part 28] Scale Practice Part 8: Interpreting the Sequence of Notes and Rhythms    • 【第28回】スケール練 Part 8 音の並びとリズム解釈   [Part 29] Don't Omit Rests 1: The Impact of Rests    • 【第29回】休符を休むな 1 休符のインパクト   [Part 30] Don't Omit Rests 2. Playing rests by touching the strings with your left hand    • 【第30回】休符を休むな 2 左手で弦に触れて休符を演奏する   [Part 31] Don't skip rests. 3. Overcome your fear of open strings!    • 【第31回】休符を休むな 3 開放弦の苦手意識を克服しよう!   [Part 32] Don't skip rests. 4. Essential skills for playing staccato notes with your right hand.    • 【第32回】休符を休むな 4 右手でスタッカートを弾きこなす必須スキル   [Part 33] Don't skip rests. 5. Tips for Improving Rest Awareness    • 【第33回】休符を休むな 5 休符への意識を高めるコツ   [Part 34] Seven Themes Bassists Should Address    • 【第34回】ベーシストが取り組むべき7つのテーマ   [Part 35] Don't Match the Drums! A Healthy Relationship Between Bass and Drums    • 【第35回】ドラムに合わせるな! ベースとドラムの健全な関係   [Part 36] Arpeggio Practice from Scratch! Three Types of Major Triads    • 【第36回】ゼロから始めるアルペジオ練! 3種のメジャー・トライアド   [Part 37] Kill Two Birds with One Stone: Improve Your Right and Left Hand Skills with Arpeggio Practice!    • 【第37回】一石二鳥のアルペジオ練で右手も左手もスキルアップ!   [ [Part 38] Arpeggio Practice for Developing Multiple Skills Simultaneously    • 【第38回】複数スキルを同時に鍛えるアルペジオ練   [Part 39] Arpeggios for Learning Inversions    • 【第39回】転回形を知るためのアルペジオ   [Part 40] Important Practice for Deepening Shift Technique and Fingerboard Understanding    • 【第40回】シフト・テクニックと指板の理解を深める大事な練習   [Part 41] Left Hand Fatigue and Finger Pain... Could Your Form Be the Cause?    • 【第41回】左手の疲れ、指の痛みの原因……そのフォームが原因かも?   [Part 42] Recommended Form for People with Small Hands Who Want to Spread Their Fingers    • 【第42回】手が小さいけど指を広げたい人にお勧めのフォーム   [Part 4 [Part 3] Traditional Octave Playing Techniques for Easy Playing    • 【第43回】オクターヴ奏法をラクに弾く正統派奏法 石村順の低音よろず相談所 〜Jun...   [Part 44] Break Away from Foot-Dependent Rhythm    • 【第44回】足に依存するリズム感を脱却しよう 石村順の低音よろず相談所 〜Jun's...   [Part 45] Bassists Need to Know Chords: The Basics of Diatonic Chords    • 【第45回】ベーシストこそコードを知ろう〜ダイアトニック・コードの基礎 石村順の低音...   [Part 46] Understanding Chords: Playing Chords!    • 【第46回】コードを理解するにはコード弾き! 石村順の低音よろず相談所 〜Jun's...   [Part 47] Practice Tips for Efficient Improvement! ...

5 BIG Mistakes Self Taught Bass Players Make
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5 BIG Mistakes Self Taught Bass Players Make

[No. 17] How to use your right thumb when skipping strings with your fingers 1
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[No. 17] How to use your right thumb when skipping strings with your fingers 1

[Now's the time to reconsider] 4 possible reasons why you can't play fast with two fingers (finge...
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[Now's the time to reconsider] 4 possible reasons why you can't play fast with two fingers (finge...

【第44回】足に依存するリズム感を脱却しよう 石村順の低音よろず相談所 〜Jun's Bass Clinic〜
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【第44回】足に依存するリズム感を脱却しよう 石村順の低音よろず相談所 〜Jun's Bass Clinic〜

【第43回】オクターヴ奏法をラクに弾く正統派奏法 石村順の低音よろず相談所 〜Jun's Bass Clinic〜
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【第43回】オクターヴ奏法をラクに弾く正統派奏法 石村順の低音よろず相談所 〜Jun's Bass Clinic〜

指弾きの音に差が出る!解決方法はこれだ!tips for making the fingering sound aligned
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指弾きの音に差が出る!解決方法はこれだ!tips for making the fingering sound aligned

Tod eines Kriegstreibers: Eskalation von Drohnen- und Energiekrieg | Stas Krapivnik
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Tod eines Kriegstreibers: Eskalation von Drohnen- und Energiekrieg | Stas Krapivnik

Anyone Can Play a Great Bass Solo — Just Follow These 4 Steps
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Anyone Can Play a Great Bass Solo — Just Follow These 4 Steps

This 3-Note "HINGE" Makes Every Chord Change Sound Better
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This 3-Note "HINGE" Makes Every Chord Change Sound Better

【ベース 初心者】指弾きのコツがわかります!2フィンガーピッキング徹底解説!
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【ベース 初心者】指弾きのコツがわかります!2フィンガーピッキング徹底解説!

Incredible Street Performers – Caught on Camera
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Incredible Street Performers – Caught on Camera

4 characteristics of people who can't play the bass fast with their fingers
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4 characteristics of people who can't play the bass fast with their fingers

They Laughed at Mona Kimura… Until the Brutal KOs Started
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They Laughed at Mona Kimura… Until the Brutal KOs Started

Stop Playing Just Root Notes Use This Simple Scale Strategy
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Stop Playing Just Root Notes Use This Simple Scale Strategy

Incredible Safari Moments Caught on Camera
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Incredible Safari Moments Caught on Camera

【5分で指弾き強化!】短い時間で2フィンガーを上手くなろう!
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【5分で指弾き強化!】短い時間で2フィンガーを上手くなろう!

Do This Bass Drill For 10 Minutes A Day To Fix Everything | FREE PDF
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Do This Bass Drill For 10 Minutes A Day To Fix Everything | FREE PDF

Anyone Can Play a Good Bass Solo — Here's Proof
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Anyone Can Play a Good Bass Solo — Here's Proof

【目から鱗】スムーズに弾くための最終形態!?効率良い指弾きのフォームについてお伝えします!【ベース】
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【目から鱗】スムーズに弾くための最終形態!?効率良い指弾きのフォームについてお伝えします!【ベース】

Selensky schmeißt Premierministerin raus nach nur Jahr + US Senator Graham in Ukraine eleminiert?
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Selensky schmeißt Premierministerin raus nach nur Jahr + US Senator Graham in Ukraine eleminiert?