【第51回】2フィンガーのリズムを安定させるエクササイズ 石村順の低音よろず相談所 〜Jun's Bass Clinic〜
A collaborative project with BASS MAGAZINE WEB, "Jun Ishimura's Bass Clinic" The theme of the 51st episode is "Exercises to Stabilize Two-Finger Rhythm!" ▼Subscribe to the BASS MAGAZINE YouTube channel here!▼ http://www.youtube.com/channel/UCGIjt... ◎BASS MAGAZINE WEB https://bassmagazine.jp ◎BASS MAGAZINE WEB: Jun Ishimura's Bass Clinic [Episode 1] Is "Tension" the Cause of My Bass Skills? https://www.youtube.com/watch?v=B9cAg... [Part 2] Improve your rhythmic precision by choosing the right click tone. https://www.youtube.com/watch?v=vEpCw... [Part 3] The secret to successful position changes. • 【第3回】ポジション移動で失敗しない秘訣 石村順の低音よろず相談所 〜Jun's ... [Part 4] The click is your friend! Stop relying on it. • 【第4回】クリックは友達! 依存をやめよう 石村順の低音よろず相談所 〜Jun's... [Part 5] The back is the star! • 【第5回】ウラが主役! 石村順の低音よろず相談所 〜Jun's Bass Clinic〜 [Episode 6] The theme is "No live sounds!" • 【第6回】生音禁止! 石村順の低音よろず相談所 〜Jun's Bass Clinic〜 [Episode 7] Is two-finger playing a three-legged race? • 【第7回】2フィンガーは二人三脚? 石村順の低音よろず相談所 〜Jun's Bas... [Episode 8] Feel the length of the note! • 【第8回】音の長さを感じよう! 石村順の低音よろず相談所 〜Jun's Bass ... [Episode 9] The right amount of pressure • 【第9回】ちょうどいい力加減 石村順の低音よろず相談所 〜Jun's Bass C... [Episode 10] Secret trick to turn the back side to the front - Tantakatan ① • 【第10回】ウラをオモテにする裏ワザ〜タンタカタン① 石村順の低音よろず相談所 〜... [Episode 11] Secret trick to turn the back side to the front - Tantakatan ② • 【第11回】ウラをオモテにする裏ワザ〜タンタカタン② 石村順の低音よろず相談所 〜... [Part 12] Secret Trick to Turn the Back to the Front - Tantakatan ③ • 【第12回】ウラをオモテにする裏ワザ〜タンタカタン③ 石村順の低音よろず相談所 〜... [Part 13] Secret Trick to Turn the Back to the Front - Tantakatan ④ • 【第13回】ウラをオモテにする裏ワザ〜タンタカタン④ [Part 14] Are you bending your wrist too much? Right hand form for fingerpicking • 【第14回】手首曲げすぎ!? 指弾きの右手のフォーム [Part 15] Are you bending your wrist too much? Right hand form for fingerpicking 2: Wrist angle relative to the body • 【第15回】やっぱり手首曲げすぎ!? 指弾きの右手のフォーム2 ボディに対する手首の角度 [Part 16] Right hand form for fingerpicking 3: How to move your fingers • 【第16回】指弾きの右手のフォーム3 指の動かし方 [Part 17] How to use your right thumb when skipping strings with your fingers 1 • 【第17回】指弾きで弦跳びするときの、右手親指の使い方 1 [Part 18] How to Use Your Right Thumb When Jumping Strings with Your Fingers 2 • 【第18回】指弾きで弦跳びするときの、右手親指の使い方 2 [Part 19] Don't create the same tone as on CD! Pitfalls of sound creation! ① • 【第19回】CDと同じ音色を作るな! 音作りの落とし穴!① [Part 20] How to make the "sound that reaches the listener's ears" closer to your imagination: Pitfalls of sound creation! ② • 【第20回】“リスナーの耳に届く音”をイメージに近づける方法 音作りの落とし穴!② [Part 21] Understand scales musically! • 【第21回】スケールは音楽的に理解するべし! [Part 22] Understand scales from a different perspective! • 【第22回】スケールを別の角度から理解するべし! [Part 23] Scale practice: understanding the fretboard from a broader perspective • 【第23回】広い視野で指板を把握するスケール練 [Part 24] Overcome skipping notes with extended fingering positions! Scale practice Part 4 • 【第24回】音飛び運指をポジション拡張で乗り切れ! スケール練 Part 4 [Part 25] Changing the Way Notes are Combined: Scale Practice Part 5 • 【第25回】音の組み合わせ方を変えよう スケール練 Part 5 [Part 26] Scale Practice Part 6: Rhythm Variations • 【第26回】スケール練 Part 6 リズム・バリエーション [Part 27] Scale Practice Part 7: Improve Your Skills with Four-Note Patterns! • 【第27回】スケール練 Part 7 4音パターンでスキル向上! [Part 28] Scale Practice Part 8: Interpreting the Sequence of Notes and Rhythms • 【第28回】スケール練 Part 8 音の並びとリズム解釈 [Part 29] Don't Omit Rests 1: The Impact of Rests • 【第29回】休符を休むな 1 休符のインパクト [Part 30] Don't Omit Rests 2. Playing rests by touching the strings with your left hand • 【第30回】休符を休むな 2 左手で弦に触れて休符を演奏する [Part 31] Don't skip rests. 3. Overcome your fear of open strings! • 【第31回】休符を休むな 3 開放弦の苦手意識を克服しよう! [Part 32] Don't skip rests. 4. Essential skills for playing staccato notes with your right hand. • 【第32回】休符を休むな 4 右手でスタッカートを弾きこなす必須スキル [Part 33] Don't skip rests. 5. Tips for Improving Rest Awareness • 【第33回】休符を休むな 5 休符への意識を高めるコツ [Part 34] Seven Themes Bassists Should Address • 【第34回】ベーシストが取り組むべき7つのテーマ [Part 35] Don't Match the Drums! A Healthy Relationship Between Bass and Drums • 【第35回】ドラムに合わせるな! ベースとドラムの健全な関係 [Part 36] Arpeggio Practice from Scratch! Three Types of Major Triads • 【第36回】ゼロから始めるアルペジオ練! 3種のメジャー・トライアド [Part 37] Kill Two Birds with One Stone: Improve Your Right and Left Hand Skills with Arpeggio Practice! • 【第37回】一石二鳥のアルペジオ練で右手も左手もスキルアップ! [ [Part 38] Arpeggio Practice for Developing Multiple Skills Simultaneously • 【第38回】複数スキルを同時に鍛えるアルペジオ練 [Part 39] Arpeggios for Learning Inversions • 【第39回】転回形を知るためのアルペジオ [Part 40] Important Practice for Deepening Shift Technique and Fingerboard Understanding • 【第40回】シフト・テクニックと指板の理解を深める大事な練習 [Part 41] Left Hand Fatigue and Finger Pain... Could Your Form Be the Cause? • 【第41回】左手の疲れ、指の痛みの原因……そのフォームが原因かも? [Part 42] Recommended Form for People with Small Hands Who Want to Spread Their Fingers • 【第42回】手が小さいけど指を広げたい人にお勧めのフォーム [Part 4 [Part 3] Traditional Octave Playing Techniques for Easy Playing • 【第43回】オクターヴ奏法をラクに弾く正統派奏法 石村順の低音よろず相談所 〜Jun... [Part 44] Break Away from Foot-Dependent Rhythm • 【第44回】足に依存するリズム感を脱却しよう 石村順の低音よろず相談所 〜Jun's... [Part 45] Bassists Need to Know Chords: The Basics of Diatonic Chords • 【第45回】ベーシストこそコードを知ろう〜ダイアトニック・コードの基礎 石村順の低音... [Part 46] Understanding Chords: Playing Chords! • 【第46回】コードを理解するにはコード弾き! 石村順の低音よろず相談所 〜Jun's... [Part 47] Practice Tips for Efficient Improvement! ...

5 BIG Mistakes Self Taught Bass Players Make
![[No. 17] How to use your right thumb when skipping strings with your fingers 1](https://i.ytimg.com/vi/gNnLu9MkFAk/hqdefault.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLCnobyySPtfw6F2wBfHBKxbPcZ_fg)
[No. 17] How to use your right thumb when skipping strings with your fingers 1
![[Now's the time to reconsider] 4 possible reasons why you can't play fast with two fingers (finge...](https://i.ytimg.com/vi/u8r-h4D9t8s/hqdefault.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLAFvSQMH1Di2gdSLMVi_wv0TJ2NEA)
[Now's the time to reconsider] 4 possible reasons why you can't play fast with two fingers (finge...

【第44回】足に依存するリズム感を脱却しよう 石村順の低音よろず相談所 〜Jun's Bass Clinic〜

【第43回】オクターヴ奏法をラクに弾く正統派奏法 石村順の低音よろず相談所 〜Jun's Bass Clinic〜

指弾きの音に差が出る!解決方法はこれだ!tips for making the fingering sound aligned

Tod eines Kriegstreibers: Eskalation von Drohnen- und Energiekrieg | Stas Krapivnik

Anyone Can Play a Great Bass Solo — Just Follow These 4 Steps

This 3-Note "HINGE" Makes Every Chord Change Sound Better

【ベース 初心者】指弾きのコツがわかります!2フィンガーピッキング徹底解説!

Incredible Street Performers – Caught on Camera

4 characteristics of people who can't play the bass fast with their fingers

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Stop Playing Just Root Notes Use This Simple Scale Strategy

Incredible Safari Moments Caught on Camera

【5分で指弾き強化!】短い時間で2フィンガーを上手くなろう!

Do This Bass Drill For 10 Minutes A Day To Fix Everything | FREE PDF

Anyone Can Play a Good Bass Solo — Here's Proof

【目から鱗】スムーズに弾くための最終形態!?効率良い指弾きのフォームについてお伝えします!【ベース】

