How To Sing NEVER ENOUGH from The Greatest Showman LIKE A PRO
In this video I demonstrate line by line how to sing with an emotional, powerful and healthy vocal performance of Never Enough from The Greatest Showman. Loren Allred, the original singer, is such a BOSS She does an incredible job with her interpretation. My goal is not to try to match her tone but to copy some of the stylistic choices she made to create high impact with my own performance. I will show you all the details I pay attention to when I'm refining my vocals: breathing, placement, diction, dynamics and many more small things that can make a BIG difference in my final delivery and performance. 01:02 A list of what you need to nail your rehearsal! 01:56 The importance of vocal warmups 02:27 The difference between copying vocal tone and copying vocal style 03:19 Lets Start This Rehearsal! Listening and Taking Notes 03:36 How to use soft breathy placement to build the song's momentum 05:30 How to use dynamics and the consonant M to MMMilk the moment. 07:09 Raising your soft palate to create a controlled but breathy vocal 08:12 Introducing the song's hook with a more forward vocal placement and proper diction. 10:04 Playing with a pop interpretation and different placement on key lyrics 11:11 Changing the mixed belt to have a higher percentage of chest voice. 13:11 Changing the vowel to achieve more power or resonance 14:00 The power of good songwriting to help with pitch and placement. 15:18 Resetting the Breath: PRO Tip 16:10 The Money notes, knowing your vocal range and mastering your mixed belt on high notes 19:14 When to use vibrato vs when to use straight tone 20:00 How to sing an adlib 21:44 The use of release as vocal style and an emotional ending to high notes 22:50 Timing your breathing on a wordy section 23:44 Nailing the ending with vowel modification and intentional breath 25:45 Refining Specific Vocal Techniques ; Things to keep working on Thanks for watching and if you have any questions, I'm happy to help. Just drop a comment below.

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