Lecture: Matisse’s Cut-Outs—The Development of a New Medium
The exhibition "Matisse’s Jazz: Rhythms in Color" culminates chronologically with two works from the late 1940s: the illustrated book "Jazz" and the mural-like screen print "Océanie - La Mer (Oceania - The Sea)." Yet these works also signal the beginning of a radical new medium that reinvigorated Matisse's late career. Hear from Samantha Friedman, curator of Drawings and Prints at the Museum of Modern Art, New York, as she traces how Matisse’s cut-paper method went from being a design expedient to an independent practice, from a means to a resplendent end. Support for this program was provided by the Allan McNab Endowed Fund.

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Member Lecture: Korean National Treasures—2,000 Years of Art

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AUCTION PREMIERE: $304M Modern Evening Sale | The New York Sales | Sotheby's

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How (and why) to take a logarithm of an image

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Exhibition Tour— Siena: The Rise of Painting, 1300-1350 | Met Exhibitions

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The Radical Method That Made Hilma af Klint a Creative Visionary

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Caravaggio: His life and style in three paintings | National Gallery

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The Kiss by Gustav Klimt: Great Art Explained

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Fran Lebowitz on smoking, Trump and today's young people being another species

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The French Do Not Care About Work

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HOMILÍA DE HOY | DIOS AYÚDAME A CONFIAR AUNQUE NO ENTIENDA NADA | PADRE FREDDY BUSTAMANTE

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Harvard Professor Explains The Rules of Writing — Steven Pinker

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The Greatest Paintings of the 21st Century (Part 1)

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Wie KI den Kunstmarkt aufmischt | Doku HD Reupload |ARTE

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Noguchi Subscapes

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LIVE: Conan O’Brien speaks at Harvard graduation ceremony (full)

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The Designer Who Makes You Forget Design | Naoto Fukasawa

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„Die meisten Bilder sind nichts wert“ – Beltracchi über die Kunstwelt

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START MONDAY WITH FAITH | LORD STRENGTHEN MY HEART FOR WHAT IS TO COME | FATHER FREDDY BUSTAMANTE

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Conan O’Brien Delivers the Commencement Address | Harvard Commencement 2026

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