Writing Excuses (22) - 21.22: The Order of the Telling

Time-Sensitive Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here! This week, we are talking about the order in which we present information to the reader as contrasted with the order, in which events chronologically actually progressed in the universe of this story and why those things might be completely different. We are joined by Margaret Dunlap as we explore non-linear timelines through examples from novels, television, film, anime, and interactive fiction. We discuss how nonlinear storytelling can build tension, reveal character, and control the flow of information. The conversation highlights how writers can use flashbacks, parallel timelines, and carefully placed revelations to reshape a reader’s understanding of events. Our hosts also talk about the emotional power of structure, noting that nonlinear storytelling can shift a story from “what happens next?” to “how did we get here?” or “what does this mean now?” Margaret and our hosts share practical strategies for keeping timelines organized, including notes, spreadsheets, and tracking information arcs. Homework: Find a story—a TV episode, movie, or book—that experiments with nonlinear storytelling. After experiencing it once, revisit it and map where information shifts: what characters know, what the audience knows, and how those changes affect your understanding of what comes next. Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. Our guest was Margaret Dunlap. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook