Cantigas de Santa Maria project - Alfonso X of Castile El Sabio (1221–1284).

Cantigas de Santa Maria project - Alfonso X of Castile El Sabio (1221–1284). INTRO - Lauda Novella Cantigas de Santa Maria 1 - Oraçon con piadade oe a Virgen de grado 2 - Des oge mais quer’ eu trobar 3- Ben Pode Santa Maria Hans Meijer-vihuela https://musicksmonument.nl/styled-51/ The Cantigas de Santa Maria are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well. It is one of the largest collections of monophonic (solo) songs from the Middle Ages and is characterized by the mention of the Virgin Mary in every song, while every tenth song is a hymn. The Cantigas have survived in four manuscript codices: two at El Escorial, one at Madrid's National Library, and one in Florence, Italy. The E codex from El Escorial is illuminated with colored miniatures showing pairs of musicians playing a wide variety of instruments. The Códice Rico (T) from El Escorial and the one in the Biblioteca Nazionale Centrale of Florence (F) are richly illuminated with narrative vignettes. Maria Paintings Simone Martini Simone Martini (c. 1284 – 1344) was an Italian painter born in Siena. Simone was a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter's Basilica, Giotto also executing a mosaic there. Martini's brother-in-law was the artist Lippo Memmi. The Castle of Monselice At the foot of the Colle della Rocca there rises an imposing architectural complex called Castello Cini, which incorporates several diverse types of building. From the XI to the XVI centuries the castle has changed from a luxurious residence, to defensive tower to become a Venetian villa. The Castle is made up, in fact, of four main nucleuses: the most ancient part is the Roman house (Casa Romanica, 11th century) which together with the Castelletto (12th cent.) form the first dwelling area. During the course of the 13th century the Torre Ezzeliniana, an imposing defensive building ordered by Ezzelino III da Romano, was built detached from the main structure. Its inside is characterized by monumental "tower" fireplaces, unique in Italy for their form and functionality, ordered by the Paduan Lords of Da Carrara in the 14th century