آموزش چهارمضراب ابوعطا موسی معروفی | تار و سه‌تار – کتاب سوم هنرستان صفحه ۳۲ درس ۲۱

Teaching Chaharmedzrab Abu Ata Musa Marouf | Tar and Setar – Book Three of the Conservatory, Page 32, Lesson 21 --- In this video, we will teach Chaharmedzrab Abu Ata by Musa Marouf. This piece is included in Book Three of the Conservatory of Iranian Music by Hossein Alizadeh (page 32, lesson number 21) and is one of the most important lessons in the Iranian music rafid for tar and setar. 🎶 About Chaharmedzrab and Abu Ata's voice: Chaharmedzrab is one of the important forms in Iranian music that is built on a regular and dynamic rhythm and plays an important role in strengthening the technique of playing tar and setar. Abu Ata's voice is part of the Shur instrument and has a special place in the Iranian music rafid due to its special atmosphere and mood. The combination of this form (Chaharmedzrab) with the atmosphere of Abu Ata's corners has created an energetic and educational work for students. 📌 In this tutorial: Basic fingering and precise performance of Chahar Mihrab on Tar and Setar are explained. Performance techniques and important practice points are examined. The position of this piece in the musical order and its relationship with Abu Ata's singing are analyzed. ✅ This lesson is part of the "Tar and Setar Learning from Scratch" series and will be useful for beginners to advanced students. --- 🔔 To see the continuation of the Tar and Setar Learning from Scratch course, subscribe to the channel and ring the bell. 📥 Get sheet music from Telegram channel: https://t.me/rezanajarzadeh Support free tutorials: https://hamibash.com/RezaNajarzadeh --- #Tar_teaching #Three_Tar_teaching #Chahar_Muzhrab #Abu_Ata #Musa_Ma'ruf #Book_of_Art #Music_teaching #Music_rank #Tar_technique #Three_Tar_technique