DETROIT, MICH, FRIDAY NIGHT MAY 16, 1986 THIS IS EXACTLY WHAT IT SOUNDED LIKE AT 10:00 P.M SHARP!. .

What goes on inside of the head of a late-night disk jockey in a dark radio booth late at night with the lights down low with the smell of goenish # 10 incense in the air. Classic Collection - (No. 10 Incens A comprehensive blend of cool ocean breezes combined with a profusion of tropical floral fragrances. A predominately floral aroma subtly cloaked by cool top notes.) The Electrifying Mojo From Wikipedia, the free encyclopedia The Electrifying Mojo (born Charles Johnson in Little Rock, Arkansas) is an American radio personality. He is a disc jockey based in Detroit, Michigan whose on-air journey of musical and social development shaped a generation of music-lovers in Detroit and throughout southeastern Michigan and Canada and was of importance to the development of Detroit techno.[1][2] He is recognized for having introduced many artists into the Detroit radio market, including Prince, The B-52's, and Kraftwerk,[3] and was occasionally thanked on-air by the artists for his support of their work. Prince granted Mojo a telephone interview[4] following a sold out birthday concert at Cobo Arena on June 7, 1986, during an era when Prince rarely if ever granted interviews. He was visited in the studio by The B-52's and The J. Geils Band with the latter thanking him for playing "Flamethrower" from their album Freeze Frame.[5][6] Contents 1 History 2 Influence 3 See also 4 References 5 External links History[edit] Mojo's seminal radio show ran from 1977 through the mid-1980s, and while broadcast on stations marketed toward the African-American market, his programming was a combination of soul, funk, new wave, hip hop, and rock. After serving in the Air Force, Johnson attended the University of Michigan in the mid-1970s where he began broadcasting on the University radio station and then on Ann Arbor station WAAM (at the time a popular Top 40 station). In 1977, he began broadcasting on WGPR (107.5) in Detroit and soon gathered a diverse audience attracted to his "genre bending" format. Moving to WJLB around 1982, Mojo gained additional listeners at the more easily found 97.9 frequency and billboards throughout Detroit touted the "Landing of the Mothership" at 10:00 every night. Mojo moved to WHYT (96.3) in 1985 and then WTWR-FM in Toledo, Ohio after a management turnover at WHYT in 1987, until 1990, when he accepted an offer to return to the Detroit airwaves at WMXD. At this time, Mojo began doing remote broadcasts, driving around Detroit, talking to people in the city, while his Production assistant Wendell Burke kept the music going at the studio. In the mid-nineties, Mojo went back to WGPR. Musically, this included shows focused on single themes, such as symphonic music by black composers, a survey of the jazz and symphonic music of Duke Ellington, and one alternating the music of Billie Holiday with spoken excerpts from her autobiography. He, as before, frequently played recordings in their entirety. In an unusual arrangement, Mojo was purchasing his air-time from WGPR and then finding his own sponsors for the show. His two primary sponsors at this time were a deli and an insurance agency. He also dedicated airtime to reading excerpts from his 500-plus page book, The Mental Machine (ISBN 0-9639811-1-0), a work of poetry and prose about community and societal ills. The late 1990s brought Mojo to WCHB for a stretch in 1998 where he began broadcasting his show over the internet for a short time. He also was making guest appearances on the now defunct WDTR around 2004. Influence[edit] Mojo's habit was to play entire recordings without interruption. Mojo would often play hours of Prince's music, not only his hits, but deep album cuts and b-sides. When Prince was about to release a new album, Mojo would often play the album in its entirety, and this practice continued into the 1990s.