Beethoven: Sonata No.18 in E flat major, Op.31 No.3 | Boris Giltburg | Beethoven 32 project
The two previous trilogies in Beethoven’s sonata cycle – the three sonatas, Op. 2 and the three sonatas, Op. 10 – both had the third sonata in the group as their focal point and climax. Whether this is the case in our Op. 31 is less certain. On the one hand, Sonata No. 18 is the only one in the opus to be written in four movements, like most of Beethoven’s Grandes Sonates (Opp. 7, 22, 26 and 28). On the other, the Sonata is so easy-going, so light-spirited, so full of sunshine, that it feels much more like a release after Tempest’s dark tension than a further intensification. I must admit there is very little I can write about the sonata – if ever there was a case where the music speaks fully for itself, this is it. Whatever unusualness it does have can be summed up in two points: a) it begins with a dissonant chord; and b) it has no slow movement, containing instead a Scherzo and a Minuet. Contrasting with these (not very major) points is the wonderful openness of character of all four movements, the clarity of narrative and the unclouded mood reigning throughout. Good-natured humour is abundant, as is virtuosity – sparkling and polished in the first movement, pointed and even biting in the Scherzo, and blindingly blazing in the tarantella finale (the blaze is explicitly requested by Beethoven – the tempo marking for the finale is Presto con fuoco – ‘Presto with Fire’). The Minuet is a jewel among the other movements, replete with beauty and poetry. All in all, this Sonata is a balm for the heart after the Tempest’s darkness and pain, and a respite for the mind after the complexities of Sonata No. 16. It is immensely loveable and an absolute joy to perform. *** Beethoven 32 – Over the course of 2020, I have learned and filmed all 32 Beethoven sonatas. Subscribe to this channel to follow the project, and visit https://beethoven32.com for blog posts and listening guides to each sonata. Boris Giltburg, piano Filmed by Stewart French © 2020 Fly On The Wall, London (http://fotw.london) @FazioliPianos

Behind the Notes – Boris Giltburg introduces Beethoven’s Piano Sonata No. 13

STUDY Ludwig van BEETHOVEN's Piano Sonata No.18 Op. 31 No. 3 With Pianist Lucas Debargue

Beethoven: Sonata No. 23 in F minor, Op. 57 ("Appassionata") | Boris Giltburg | Beethoven 32 project

Joyce Yang: Beethoven Sonata No 18 in E flat Major, Op 31, No 3, “The Hunt”

Martha Argerich and the austere maestro

Beethoven: Sonata No.11 in B-flat major, Op.22 – Boris Giltburg | Beethoven 32 project

Beethoven: Sonata No. 30, Op. 109 | Boris Giltburg | Beethoven 32 project

Boris Giltburg performs Rachmaninov: 10 Preludes Op. 23 (Queen Elizabeth Hall recital)

Beethoven - Sonata No. 18 in E-flat major, Op. 31, No. 3, 'The Hunt' (Richard Goode)

Beethoven: Sonata No.16 in G major, Op.31 No.1 – Boris Giltburg | Beethoven 32 project

Behind the Notes – Boris Giltburg introduces Beethoven’s Piano Sonata No. 18
![[Full Version] Boris Giltburg - XIV Tchaikovsky Competition Round I (19 June 2011)](https://i.ytimg.com/vi/-WY_0dz07VU/hqdefault.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLB-fdXRaCylWK7jDGWWjkCTWmGrsQ)
[Full Version] Boris Giltburg - XIV Tchaikovsky Competition Round I (19 June 2011)

Sergei Dreznin: Masterclass, Scriabin Sonata No. 4, part 1

Barenboim: Beethoven - Sonata No. 18 in E flat major, Op. 31 No. 3

Sir András Schiff Masterclass at the Royal College of Music

Behind the Notes – Boris Giltburg introduces Beethoven’s Sonata No. 15 ‘Pastoral’
![Beethoven: Piano Sonata No. 8 'Pathétique', Op. 13 [Horowitz 1963]](https://i.ytimg.com/vi/1uG3qrePEj0/hqdefault.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLBqcRQCALtgvxltHSBZNiVB1J4dUQ)
Beethoven: Piano Sonata No. 8 'Pathétique', Op. 13 [Horowitz 1963]

Chopin Nocturne, op 27 no 2 - Maria João Pires live at Jardin Musical

Quatuor Ébène – Beethoven: String Quartet No. 12 in E-Flat Major, Op. 127

