Menow – fromis_9 | 원테이크 why am I like this fr

Improvised heavy performance built from chord‑based references — fits 베이스커버 / kpop rock cover categories. fromis_9 - menow | guitar Cover | 원테이크 🎸 ABOUT THIS CHANNEL I play songs I’m genuinely connected to — not for trends, algorithms, or broad genres. I focus on Korean and Japanese music, especially female artists, girl groups, and all‑female Japanese bands. Some of my favorite K‑pop groups are aespa, NMIXX, TWICE, and I mainly choose songs from artists like these. My favorite Japanese vocalist is Lilas Ikuta (YOASOBI), and on the heavier side I enjoy LiSA, HANABIE., STMLT, and PaleNeØ. I also play Japanese idol groups depending on the mood and atmosphere of the song. 🚫 NO WHOLE‑SONG ENGLISH LYRICS I don’t play songs that have whole‑song English lyrics. K‑pop includes a lot of English nowadays, and this is my way of supporting the idea that Korean music doesn’t always need to shift toward a fully global, English‑heavy direction. 🎸 EXPERIENCE & DUETS I’ve made over 1,500 duets (TikTok, Xiaohongshu), especially with creators from Korea, Japan, and China. I choose duets based on musical feel and sincerity, blending my guitar or bass naturally into their performance so it sounds like a shared moment rather than a separate layer. 🎼 COMMUNITY If you’re practicing a song right now, feel free to share what you’re working on. 🎸 HOW I PLAY I play with genuine sincerity (진심). I choose only the songs I truly connect with and focus on emotion and feel rather than technical showmanship. My goal is to blend the instrument into the original mix so it feels like it belonged there from the start. 🇰🇷 한국어 요약 한국·일본 음악을 중심으로 연주하며, 여성 아티스트·걸그룹·여성 밴드의 곡에 집중합니다. 전체가 영어 가사인 곡은 선택하지 않고, 한국어·일본어 기반 음악을 연주하는 방향을 유지합니다. 지금까지 1,500개 이상의 듀엣(TikTok, Xiaohongshu)을 만들었으며, 원곡과 자연스럽게 어우러지는 진심 있는 연주를 추구합니다. 트렌드보다 감정과 분위기를 우선하며, 음악은 솔직해야 한다고 생각합니다. #소름사운드 #kpopcover #kpopbasscover #kpopguitarcover #걸그룹 🎸 ABOUT MY SOUND & PLAYING I play both guitar and bass, but not in the traditional way. My bass parts use a Darkglass distortion tone, while my attack and phrasing come from extra‑heavy Mesa/Boogie Triple Rectifier‑influenced guitar playing. I don’t treat the instrument as a spotlight — I blend it into the original mix so it feels like part of the song, not a separate layer. heavy bass, heavy guitar, bass guitar, electric guitar, one take, 즉흥 연주, 베이스커버, 기타커버, 베이스 편곡, 기타 편곡, kpop rock, live take, improvisation, 2026 Subscribe :    / @soreum777