中国ドラマ「永夜星河」徹底紹介！裏情報満載！ユー・シューシン（虞書欣）×ディン・ユーシー（丁禹兮）二度目の共演作

Dramas with over 10,000 views on IQIYI: Punishment Down the Path The Husband Blowing in Midsummer Between Humankind Mad Wind Wind Chaser A Year in the Mountains Records of the Tang Dynasty's Westward Journey The Tale of Changlan Lotus Flower Mansion Ning'anru Dream Daily Life of the King We TV Dramas with over 30,000 views this year: Flower in the Sky, With the Phoenix, Memories of Love, The Story of the Rose, Love in the Sky 2, Starry Night ------------------- Author's Weibo Post: Japanese: When the film rights for "Black Lotus" were sold, it hadn't been long since the series was completed, and the fan base hadn't yet reached 100,000, but it was steadily growing. The film adaptation team purchased the rights at a fairly early stage, so I'm sure they carefully evaluated the content of the work and decided that they liked it and found it suitable for adaptation. It wasn't because of the work's popularity; at the time, it wasn't yet considered a blockbuster. As a newbie writer with no experience in film adaptations, no published works, and just starting to write, I was surprised and honored that the film adaptation team trusted me, and I gladly signed the contract. Authors often hope to sell the film rights because, in addition to the royalty income, I personally believe that feature-length videos have the potential to reach families and friends several times more than written works, which gives them an almost otherworldly sense of wonder. Another reason is that they are extremely curious to see how their work will be portrayed on the big screen. I can certainly understand the feelings of some readers. When I was in junior high school, I was deeply saddened when a novel I was reading was adapted into a film, and there were times when I cried because I couldn't accept it. However, as I became an adult, my way of thinking gradually changed, and I began to view novels and films separately. I also realized that film adaptations are not "doujinshi" or "realizations" of novels, but rather entirely different types of new creative works. The same goes for manga and radio dramas. I often compare my favorite original works with their film adaptations, and by watching many of them, I've come to understand the differences between the two, the adjustments and additions that good film adaptations need to make to suit audiences, and why such changes are made. For example, if the original storyline isn't substantial enough for a film adaptation, significant changes may be made. Conversely, if the original storyline is clear, fewer changes may be made. Novels have a unique writing style and vague expressions, while film adaptations have vivid scenes and rich drama. The two are not interchangeable. For me, the image of the main characters I have in mind when writing is completely two-dimensional and different from those portrayed in radio dramas and manga, but that doesn't prevent me from expecting or liking different portrayals. The space between the text allows each reader to expand their own imagination, and everyone's mental image of the characters will be different. In fact, many film adaptations face this situation, but the characters continue to shine in their respective worlds, both in the novel and the film. Each industry has its own challenges, and from my limited knowledge of the film industry, casting seems to be a complex process that takes into account various factors, such as commercial viability and the actors' careers and schedules. Options become even more limited, especially when portraying unique characters like boys and girls. I believe the current outcome is the most appropriate choice made by the filmmakers after considering all factors. I haven't watched many online dramas in the last few years, but I happened to see both of the films starring the two main actors in "Stargazer." I'm the type of person who gets easily distracted, so if the actors don't bring their own unique charm to the screen, it's difficult for me to watch a drama to the end. Therefore, I have a somewhat special image of these two actors. If I had a certain image of the male and female protagonists in film adaptations, the two main actors in this film definitely fit within that range. However, I didn't apply their image from their previous works to this one, or have any preconceived notions. Given the success of "Souranke," I have high hopes for the production team's aesthetic sense, and I believe the two main actors have flexible acting abilities. I look forward to the broadcast, hoping for new surprises. I've received many messages from readers and fans over the past few days. I'm truly grateful. I believe that it's because you love them that you want to protect them, and because you love them that you sometimes feel emotionally attached and worry about them. Feelings toward a work or an actor are equally precious, and I treasure those feelings very much. While you all have the freedom of expression and the right to exp...