Naseeruddin Shah and Shivendra Singh Dungarpur with Anupama Chopra | Manthan | FC at Cannes'24

Naseeruddin Shah and Shivendra Singh Dungarpur speak to Anupama Chopra about their film Manthan (1976), which was shown at the 77th Cannes film Festival as part of Cannes Classics. Directed by Shyam Benegal, the film was crowd-funded by 500,000 farmers from the Gujarat Co-operative Milk Federation, each contributing two rupees. Shah reflected on Manthan’s unexpected success and the experience of presenting it to a non-Indian audience. Dungarpur speaks passionately about the work of the Film Heritage Foundation and their efforts to preserve and restore Indian films. Shah hopes that the Cannes screening of Manthan and its re-release in India spawns a generation of people who care about the preservation of important cinema. #FCAtCannes in Association with: Entertainment Partner: Airtel Xstream Fiber (#AirtelXstreamIndia) Beauty Partner: Lakme Podcast Partner: ‪@AmazonMusicIN‬ Travel Partner: Air France 00:00 - At Cannes'24 with Naseeruddin Shah and Shivendra Singh Dungarpur 01:14 - The most enduring memory of the premier 04:22 - Manthan being crowdsourced by 5,00,000 farmers 04:50 - Naseeruddin Shah’s then conversation with Shyam Benegal 06:10 - The talks happening on set, and how Manthan was made 08:30 - Resurrecting the film 11:50 - The day Shivendra took this decision 13:25 - Idealism existing when this film was made 17:39 - Leaving its viewer with hope 21:38 - Manthan coming back to theatres Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.