Charles Gounod – MIREILLE – Chanson de Magali (Andrée Esposito, Alain Vanzo)

MIREILLE Opéra-comique en 5 actes & 7 tableaux Composer: Charles Gounod (1818–1893) Libretto: Michel Carré, after Frédéric Mistral’s poem ‘Mirèio’ (1859) First performance: Théâtre Lyrique, Paris, 19 March 1864 Revised version : Opéra-Comique (2e salle Favart), 10 November 1874, in 3 acts, with a tragic ending SETTING: Arles and surroundings (Provence), mid-19th century PLOT: Mireille is a young and beautiful Arlesian girl. Ourrias, a rich cowherd, asks for and receives her father Ramon’s permission to marry her. Mireille loves the poor basket-maker Vincent, and refuses Ourrias, despite her father’s threats. Ourrias attacks Vincent in the val d’Enfer, and leaves him dying. The old witch Taven brings him back to life. Ourrias, filled with remorse, sees the spectres of drowned girls arising from Rhône, and, trying to cross in a boat, is swept away by the currents. Mireille does not know what happened to Vincent; his sister Vincenette tells her what happened. Mireille and Vincent have a pact to meet at the church of Saintes-Maries-de-la-Mer in case something should happen to either. Mireille crosses the barren plain of the Crau under a burning sun. She arrives at the church, but, suffering from a violent fever, dies in Vincent’s arms. ‘Mireille’ is Gounod’s third most popular opera, after ‘Faust’ (1859) [   • Charles Gounod – FAUST – Kermesse: ‘Vin ou...  ] and ‘Roméo et Juliette’ (1867) [   • Charles Gounod - ROMÉO & JULIETTE - 'Ah! J...  ]. The plot is perhaps too naïvely sentimental and religious for modern tastes, but it is a charming opera, tuneful and lively. Félix Clément thought it Gounod’s most remarkable and inspired score for the theatre. No. 4.B – Chanson de magali: ‘La brise est douce et parfumée’ Mireille and Vincent sing a love song to entertain bystanders at the Arles arena. Mireille (soprano): Andrée Esposito Vincent (tenor): Alain Vanzo Conductor: Jules Gressier Orchestre Radio-Lyrique et Chœurs de la RTF Paris, 1959