JAMES PROPA ASOMESEZA,WEASLE, CINDY,JOSHUA BARAKA NE SWANGZ

Music analyst James Propa argues that veteran artists like Cindy share some of the blame. Having spent years as heavyweights and system stakeholders, top artists failed to push for rigid, formal structures that protect talent. Because the industry lacks standardized operational frameworks, predatory promoters continually exploit these loopholes Weasle publicly demanded that the Uganda Performing Right Society (UPRS) halt the collection of royalties for his catalog after receiving a meager payout of just Shs285,498 for the entirety of 2025. Highlighting the absurdity of an iconic catalog pulling in pocket change despite massive, continuous airplay across the country, Propa supports the frustration. It underscores the broader crisis of transparency and efficiency in local royalty collection and distribution systems. Joshua Baraka parted ways with his long-standing management team (Lobstar and DJ Ssese) after a five-year run, opting to operate independently rather than signing to a major international label. While rumors swirled about secret management deals or alignment with West African labels, Baraka’s choice to stay independent and build a self-managed team reflects a calculated, mature step toward sustainable global growth. Zafaran Rebrands to Zafar After Swangz Avenue Exit Zafaran officially split from premier label Swangz Avenue, dropping her moniker to rebrand simply as Zafar for her independent journey. Propa’s Take: Propa didn't mince words, criticizing her quiet output while under the powerhouse label. He views the departure as a blessing in disguise—arguing that her stint at Swangz underperformed creatively and that stepping out on her own is the push she needs to take charge of her career.