Mozart - Requiem KV 626 / NEW MASTERING (Ct.record.: Hermann Scherchen, Wiener Staatsoper 1953)

Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626. *Listen to our latest mastering update (2023)* : https://bit.ly/3q2Bxjq 🎧 Qobuz https://bit.ly/2WosE4J Apple Music https://apple.co/3AxBSKJ 🎧 Amazon Music https://amzn.to/3MnQP9J Tidal https://bit.ly/3f6pB7X 🎧 Deezer https://bit.ly/2WutdtZ Spotify https://spoti.fi/2TDKP5s 🎧 Youtube Music https://bit.ly/3MW6uil SoundCloud https://bit.ly/3bKIL12 🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... Click to activate the English subtitles for the presentation (00:00-01:22) 00:00 Introitus: Requiem Aeternam 06:28 I. Kyrie 09:44 II. Dies Irae 11:26 III. Sequentia _ Tuba Mirum 16:21 IV. Sequentia _ Rex Tremendae 18:08 V. Sequentia _ Recordare 25:27 VI. Sequentia _ Confutatis 27:55 VII. Sequentia _ Lacrimosa 30:41 VIII. Offertorium _ Domine Jesu Christe 35:11 IX. Offertorium _ Dominehostias 39:22 X. Sanctus 40:50 XI. Benedictus 46:46 XII. Agnus Dei, Lux Aeterna Sopran : Magda László Alt : Hilde Rössl-Majdan Tenor : Petre Munteanu Bass : Richard Standen Wiener Akademie Kammerchor Wiener Staatsoper Conductor: Hermann Scherchen Recorded in 1953 New mastering in 2021 by AB for CM//RR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :)   / cmrr   Everything was thought out so that the work would be like death itself: at once pathetic and terrifying, calm and terrible. Written for four soloists (soprano, alto, tenor and bass), a choir and a symphony orchestra, Mozart removed all the high-pitched wind instruments (flute and oboe), judged too joyful, and kept only the basset horn, ancestor of the clarinet, with a more subdued tone. Grave and solemn, the orchestra is perfectly suited to a mass for the dead, and Mozart's writing is itself sober, even austere: no brilliant effects or great virtuoso solos. The spectacular is elsewhere: the choir takes center stage and lets its power burst forth. In the Dies Irae, the moment of the Last Judgment, a formidable storm arises: the terrible calls of the choir represent sometimes the divine anger that falls on men, sometimes attempts to soften this anger, sometimes cries of terror... Everything trembles with anguish, fever and impatience. Mozart's ultimate composition touches the sublime. Bach - Musical Offering / Das Musikalische Opfer / L’Offrande Musicale (Ct.rec.: Hermann Scherchen):    • Bach: Musical Offering / Das Musikalische ...   Wolfgang Amadeus Mozart PLAYLIST (reference recordings):    • Wolfgang Amadeus Mozart (1756-1791)