"Obsession" and "Backrooms": How Red Pill, AI, and Self-Preservation Are Shaping Gen Z Horror
Thanks for joining us! As young filmmakers like Curry Barker and Kane Parsons enter the world of horror, they bring with them a refreshing understanding of what audiences really fear. With artificial intelligence waging war on reality, manosphere content brainwashing young men, and young adults being blamed for their failures in an economy that feels like a setup, writers and directors channel these concerns into phenomenal movies. "Obsession" and "Backrooms", two of this month's new releases, are prime examples of this new development. For more content like this, check out my blog at thedramadrivein.com, Instagram @thedramadrivein, and TikTok @kaitlyntaylorr_

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Obsession Had The Creepiest Marketing Campaign In YEARS

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What Nice Guys can learn from Obsession

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The Real Reason Gen Z Isn’t Growing Up
![Backroomsession [spoilers]](https://i.ytimg.com/vi/yUiJdyYmvuU/hqdefault.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLCXck6zC7nh6hjeOVBdI1aISPMKxg)
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Backroomsession [spoilers]

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THIS IS WHAT HAPPENED TO NIKKI AFTER OBSESSION ENDED

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Why is Freaky Nicky so Relatable? (from a lesbian’s pov)

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Backrooms is Smarter Than You Think

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China's Deadly “Bubble Chin” Disaster

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Alex Meyers: He's Always Been Weird About Movies… and women

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Obsession Has Consumed My Mind

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Disturbing Communities Hiding on the Internet

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Backrooms is Heavily Misunderstood

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Turns Out The "Nice Guy" Is Actually TERRIFYING...

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Bear's wish wasn't granted - it's worse than that

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The Backrooms Movie Proves We Are Devolving

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Gen Z are box officemaxxing

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When Horror meets the Manosphere

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If OBSESSION Was Realistic

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“The Backroom is a Racist Film”

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