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Premium 22-Channel Mixer with USB. 16 Mackie Vita Microphone Preamps. 16 Built-in Effects, Low-Cut Filter. 7-Band Graphic EQ, 3-Band Channel EQ 48V Phantom Power The Mackie ProFX22v2 is a robust and versatile 22-channel mixer that offers a range of connections to provide a complete mixing console and innovative effects. With sixteen powerful and transparent Vita microphone preamps, 16 built-in digital effects, a 7-band graphic master EQ and 3-band EQ per channel, and USB connectivity, the ProFX22v2 delivers premium Mackie performance and audio quality perfect for live and studio applications. Full Description Vita Preamps Designed specifically for live sound, Vita preamps are virtually silent, featuring a discrete Class-A front-end design, dual-feedback stabilization, and current bias optimization for unmatched low-noise performance. ReadyFX Effects Processor The new ReadyFX effects processor employs floating-point DSP, specifically designed for intensive processing of high-quality audio. This results in rich effects that are always ready to elevate performances and inspire audiences. Advanced Live Mixing Toolkit Each ProFXv2 model is a well-stocked audio toolkit. From critical tools like multi-band graphic EQ to smart features like channel inserts and switchable FX mute, ProFXv2 always has the tools you need. USB Recording and Playback The ProFXv2 features a built-in USB interface to allow simple recording of your live mix from your mixer. Additionally, the USB connection can be used for music playback from laptops and other devices during the show. Included with the FX22v2 is the easy-to-use Tracktion recording software. 3-Band EQ The ProFX22v2 has 3 bands of EQ at carefully selected points that can be used to enhance or cut all frequencies beyond the specified frequency. The Hi EQ provides up to 15 dB of boost or cut above 12 kHz, and is also flat (no boost or cut) at the Detent. Use it to add sizzle to cymbals, a general sense of transparency, or an edge to keyboards, vocals, and guitar. Increase the cut to reduce microphone sibilance or tape hiss from the mask. The Mid EQ is centered at 2.5 kHz and can be used to manipulate the dynamics of the connected instrument. Additionally, the Low EQ provides up to 15 dB of boost or cut below 80 Hz. This frequency represents the punch of bass drums, bass guitar, fat synth patches, and some baritone singers.

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