Negotiating Tragedy and the Tragic in Late Ancient Christian Literature

Full Title: Negotiating Tragedy and the Tragic: Discursive, Performative, and Interpretive Strategies in Late Ancient Christian Literature A lecture with Prof. Paul Blowers (Milligan Univrsity) Early Christian authors rarely composed tragedies, but they did discern elements of “the tragic” both in the background of sacred history and in the foreground of mundane experience. As a rhetorical, literary, and even theological artform, the mimesis of tragedy took shape concurrently in biblical interpretation and preaching, in autobiographical and hagiographical writing, in the framing of Christian moral response to human anguish and indignities, and in theological reflection on interrelated issues of providence, freedom, fate, and hope. This lecture samples each of these dimensions, concentrating especially on works of the Cappadocian Fathers, John Chrysostom, and Augustine, in texts ranging from Gregory of Nyssa’s ascetical works, to Gregory Nazianzen’s autobiographical poetry and select orations, to Chrysostom’s expository sermons and Letters to Olympias, to Augustine’s Confessions. Blowers also treats the enduring question of the meaning of “the tragic” in an early Christian lens. Christian authors, while keen to uphold the unique perspectives of Scripture, could hardly ignore the definition of the tragic in classical Greek and Roman tragedies and in the long wake of Plato’s criticism of the poets and tragedians as hucksters and traffickers in emotion who subverted the philosophical quest. Could Christianity accommodate the idea of existential “dead ends”? Could it abide the prospect of irredeemable and uncompensated evils? By way of conclusion the lecture will address, albeit concisely, the state of the question of the utility (or not) of tragical mimesis in constructive Christian theology.