Log로 찍고 LUT 먹이면 끝? / 컬러 그레이딩의 정석

Just shoot in Log and apply a LUT? That's it? We discussed why we use (or don't use) Log profiles like Sony's S-log2/3, the function of LUTs (Look-Up Tables), and the fundamentals of color grading Log or Raw footage: color space, gamma correction, and color space transform.    • 다빈치 리졸브 컬러 매니지먼트(Resolve Color Management)...      • S.Gamut3, ACES, Rec.709, Davinci Wide Gamu...      • 순서가 중요하다   Alister's LUT collection https://drive.google.com/file/d/12iHt... https://pro.sony/en_AL/technology/amb... Dehancer discount code: EJIM https://www.dehancer.com/ 🦴 Note Overall audio level normalized to -16 LUFS. Supports YouTube chapters and subtitles. ⌚️ Timeline 00:00 Log? LUT? What the heck? 01:17 Color Space 01:42 Rec709 Gamma 2.4 02:14 S-log, C-log, V-log: Why Use Them? 03:33 About Camera Log 03:56 Log Normalization? 04:12 The Function of LUTs (Look-up Tables) DaVinci Resolve 04:55 Project Settings (Color Science, Color Space, Gamma) 06:14 Sony S-log3 Color Space Conversion and Grading 09:00 Order Matters! When Should You Convert Color Spaces? 12:32 BMPCC 4/6K BRAW Color Space Conversion and Grading 14:21 Cineon Film Transfer Log, S-log3, Log C 15:17 How to Use DaVinci Resolve Film Look Luts 18:15 DaVinci Wide Gamut Workflow 20:38 Is Shooting in Log Always Better?